Items where Author is "Kapadocha, Christina"
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Kapadocha, Christina (2023) Tactile renegotiations in actor training: what the pandemic taught us about touch. Theatre, Dance and Performance Training, 14 (2). pp. 201-215. DOI https://doi.org/10.1080/19443927.2023.2187872
Kapadocha, Christina (2021) Community as soma: Reflections on a community-conscious theatre gathering. Journal of Arts and Communities, 12 (1-2). pp. 7-21. DOI https://doi.org/10.1386/jaac_00020_1
Kapadocha, Christina (2020) Somatic Voices in Performance Research and Beyond. Routledge Voice Studies (1st ed). Routledge, London. Official URL: https://www.routledge.com/Somatic-Voices-in-Perfor...
Kapadocha, Christina (2020) Somatic logos in physiovocal actor training and beyond. In: Somatic Voices in Performance Research and Beyond. Routledge Voice Studies (1st ed). Routledge. Official URL: http://doi.org/10.4324/9780429433030-16
Kapadocha, Christina (2020) Video-online presentation: Somatic invitations to spectator-witnesses. In: Screen and Performance Research Network Internal Symposium, 2020-07-24 - 2020-07-24, East 15 Acting School (online).
Kapadocha, Christina (2020) Integrating brain and mind through somatic logos. In: Cross University Research Event-Brain and Mind, 2020-06-23 - 2020-06-23, University of Essex.
Kapadocha, Christina (2019) Introduction to the symposium: Somatic Voices in Performance Research and Beyond. In: Somatic Voices in Performance Research and Beyond: A two-day praxical symposium, 2019-07-19 - 2019-07-20, East 15 Acting School.
Kapadocha, Christina (2019) A presentation inspired by the chapter: Somatic logos in physiovocal actor training and beyond. In: Somatic Voices in Performance Research and Beyond: A two-day praxical symposium, 2019-07-19 - 2019-07-20, East 15 Acting School, Loughton, Essex..
Kapadocha, Christina (2018) Towards witnessed thirdness in actor training and performance. Theatre, Dance and Performance Training, 9 (2). pp. 203-216. DOI https://doi.org/10.1080/19443927.2018.1462248
Kapadocha, Christina (2016) Being an actor/becoming a trainer: the embodied logos of intersubjective experience in a somatic acting process. PhD thesis, Royal Central School of Speech and Drama.