Items where Division is "Faculty of Arts and Humanities > Literature, Film, and Theatre Studies, Department of " and Year is 2022

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Ang, Yit Ho Joshua (2022) To the ends of the earth: Post-Anthropocene cosmopolitanism in the novels of Kazuo Ishiguro, Margaret Atwood, and David Mitchell. PhD thesis, University of Essex.

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Bouallegue, Leyla (2022) Representations of Motherhood by Female Ethnic Minority Novelists in Britain. PhD thesis, University of Essex.

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Dikova, Stanislava (2022) Characterization and the hermeneutics of recognition in Virginia Woolf’s The Voyage Out. Feminist Modernist Studies, 5 (2). pp. 227-241. DOI https://doi.org/10.1080/24692921.2022.2060656

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Geiger, Jeffrey (2022) Desegregating the Screen: Oscar Micheaux and the Rise of Activist Cinema. In: D. W. Griffith's The Birth of a Nation Art, culture and ethics in black and white. Manchester University Press, Manchester. ISBN 978-1-5261-6445-2. Official URL: https://manchesteruniversitypress.co.uk/9781526164...

Govia, Francesca (2022) Diversifying Dialogues: How Schizophrenia-Centred Neuro-Memoirs Challenge Understandings of Otherness. PhD thesis, University of Essex.

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Lax, Annecy (2022) Conscience and Consciousness: British Theatre and Human Rights. PhD thesis, University of Essex.

Littau, Karin (2022) Media, Materiality and the Possibility of Reception: Anne Carson’s Catullus. In: Unsettling Translation Studies in Honour of Theo Hermans. Taylor & Francis, London, pp. 123-139. Official URL: http://doi.org/doi.org/10.4324/9781003134633-12

Littau, Karin (2022) Una arqueología del afecto: lectura, historia y género. In: El placer de la lectura: Cuerpos, afectos, textos. Centro de Investigaciones sobre América del Norte . Universidad Nacional Autónoma de México/CISAN, México City, pp. 17-32. Official URL: http://www.librosoa.unam.mx/handle/123456789/3464

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Mathieson, Janet (2022) The Cells: the creation of a novel from an interdisciplinary writing practice, in dialogue with Julia Kristeva, to reimagine cancer and care. PhD thesis, University of Essex.

Mazzilli, Mary (2022) Transnational Neighbourhood and Theatrical Practices: The Concept of Home, Negotiating Strangeness and Familiarity, and the Experience of Migrant Communities in North Essex. In: Exploring the Transnational Neighbourhood Perspectives on Community-Building, Identity and Belonging. Leuven University Press, pp. 292-315. ISBN 9789462703483. Official URL: https://doi.org/10.2307/j.ctv30dxwr8.16

McCully, Christopher (2022) Raiding the demotic: verse as evidence for speech prosody in Old and Middle English. English Language and Linguistics, 26 (3). pp. 513-532. DOI https://doi.org/10.1017/S1360674322000132

McCully, Christopher and Minkova, Donka (2022) Verse structure and linguistic modelling: introductory notes. English Language and Linguistics. (In Press)

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O'Brien, Daniel (2022) The TV dictionary and my first cuts and edits into videographic criticism. CST Online.

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Peake, Jak (2022) Cyril Briggs: Guns, Bombs, Spooks and Writing the Revolution. In: Revolutionary Lives of the Red and Black Atlantic. The Red and the Black, 2 . Manchester University Press, Manchester. Official URL: http://www.manchesteruniversitypress.co.uk/ (In Press)

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Rutherford, Jack Neil (2022) Indigenous Presence in the US Imagination: A Study of Native American Representation in Cinema from the Myth of the West to Standing Rock. PhD thesis, University of Essex.

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Seeger, Sean (2022) L’Utopia, o quel che resta del futuro [Utopia, or What is Left of the Future?]. Frontiere della psicoanalisi, 1 (2). pp. 481-494. DOI https://doi.org/10.48270/104371

Simpson, Penny (2022) “Breaking the Frame:” The Role of Artmaking in Narratives of Migration and Diaspora. Lit: Literature Interpretation Theory, 33 (3). pp. 212-227. DOI https://doi.org/10.1080/10436928.2022.2100667

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Williams, Nora (2022) Incomplete Dramaturgies. Shakespeare Bulletin: a journal of performance, criticism, and scholarship, 40 (1). pp. 1-22. DOI https://doi.org/10.1353/shb.2022.0000