Items where Subject is "P Language and Literature > PN Literature (General) > PN0080 Criticism"

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Al Shalabi, Rasha (2017) Mapping the Dominican-American Experience: Narratives by Julía Alvarez, Junot Díaz, Loida Maritza Pérez and Angie Cruz. PhD thesis, University of Essex.

Ang, Yit Ho Joshua (2022) To the ends of the earth: Post-Anthropocene cosmopolitanism in the novels of Kazuo Ishiguro, Margaret Atwood, and David Mitchell. PhD thesis, University of Essex.

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Bahun, S and Finburgh, C and Littau, K (2014) Guest Editors' Introduction to Comparative Critical Studies (special issue: Migration). Comparative Critical Studies, 11 (2-3). pp. 145-160. DOI https://doi.org/10.3366/ccs.2014.0121

Bailey, M and Clarke, B and Walton, JK (2011) Understanding Richard Hoggart: A Pedagogy of Hope. Wiley-Blackwell, Oxford. ISBN 9781405193023.

Becker, Mona (2019) Flieder, 1945 / Lilac, 2015 : visibility, memory, gender : writing and re-imagining National Socialist atrocity for the stage. PhD thesis, University of Essex.

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Cant, John (2008) Cormac McCarthy and the myth of American exceptionalism. Studies in major literary authors . Routledge. ISBN 9780415981422. Official URL: http://books.google.co.uk/books?id=JMllAAAAMAAJ

Chaudhuri, Shohini (2017) Nine cinematic devices for staging (in)visible war and the (vanishing) colonial present. In: Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press. ISBN 9781474416566. Official URL: https://edinburghuniversitypress.com/book-disappea...

Ciofu, Natalia (2018) Internal Punishment: A Psychoanalytical Reading of F. M. Dostoevskyʼs Crime and Punishment (1866), L. Rebreanuʼs Ciuleandra (1927) and P. Ackroydʼs Hawksmoor (1985). PhD thesis, University of Essex.

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Fumagalli, MC (2009) Caribbean perspectives on modernity: Returning Medusa's gaze. New World Studies . University of Virginia Press, Charlottesville, VA, p. 198. ISBN 9780813928586.

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Geiger, J (2008) Taking Aim: New Documentary and War. Zeitschrift fur Anglistik und Amerikanistik (ZAA), 56 (2). pp. 153-173.

Geiger, Jeffrey and Littau, Karin (2009) Guest Editors' Introduction to Comparative Critical Studies (special issue: Cinematicity). Comparative Critical Studies, 6 (3). pp. 287-295. DOI https://doi.org/10.3366/E1744185409000792

Gillies, J (2010) The Author's Accomplice, or the unsearchable complicities of players in the making of Elizabethan Drama. In: The Shakespearean International Yearbook: Special Section: The Achievement of Robert Weimann. Ashgate, 119 - 141. ISBN 9781409408581.

Gillies, J (2010) "Mighty Space": The Ordinate and the Exorbitant in two Shakespeare Plays. In: Questioning Bodies in Shakespeare's Rome. Interfacing Science, Literature, and the Humanities . Unipress, 259 - 274. ISBN 9783899717402.

Gilmour, Catriona (2023) Forecasting the Past and Recalling the Future: Lemniscate Narratives in the Work of Richard Powers. Doctoral thesis, University of Essex.

Glynos, J (2013) Capitalism and the act: From content to form and back again. In: Lacan, Discourse, Event: New Psychoanalytic Approaches to Textual Indeterminacy. UNSPECIFIED, 150 - 161. ISBN 978-0-415-52162-8.

Gray, R (2007) A web of words: the great dialogue of Southern literature. Mercer University Lamar memorial lectures, 50 . University of Georgia Press. ISBN 9780820330051.

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Haidarali, Laila Soraya (2012) Browning the Dark Princess: Asian Indian Embodiment of "New Negro Womanhood". Journal of American Ethnic History, 32 (1). pp. 24-69. DOI https://doi.org/10.5406/jamerethnhist.32.1.0024

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Kan, Tabitha G (2016) Renderings of the Abyss: some changing nineteenth-century literary perceptions of the animal / human divide. PhD thesis, University of Essex.

Kuhn, Brittany (2019) Gaming and Literature: Virtual Game Immersion in Contemporary Print Text. PhD thesis, University of Essex.

Kuti, E (2008) Tragic Plots from Bootle to Baghdad. Contemporary Theatre Review, 18 (4). pp. 457-469. DOI https://doi.org/10.1080/10486800802379599

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Lewis, Dennis L M (2016) Speech, Voice and Parable: Reading and Writing through Auden (Letters to Auden, a Reading of His Poems, and a Serial Poem of Barack Hussein Obama). PhD thesis, University of Essex.

Lewis, William R (2017) Reframing Strategic Inertia: The Politics of Innovation and the Case of GM Biotechnology. PhD thesis, University of Essex.

Littau, K (2012) The Dog and the Phonograph: Possible Futures in the Self-Development of Media. Comparative Critical Studies (e-CCS Online Supplement), 9 (3). pp. 41-56. DOI https://doi.org/10.3366/ccs.2012.0078

Littau, K (2002) Eye-Hunger: Physical Pleasure and Non-Narrative Cinema. In: Crash Cultures: modernity mediation and the material. Intellect Books / University of Chicago Press, 35 - 51. ISBN 1-84150-071-2. Official URL: http://press.uchicago.edu/ucp/books/book/distribut...

Littau, K (1993) Intertextuality and Translation: T. S. Eliot’s The Waste Land in French and German. In: Translation - The Vital Link. Proceedings of the XIII World Congress of the International Federation of Translators, Vol. I. Chameleon Press, 63 - 69. ISBN 0-9522056-0-2.

Littau, K (2008) Teorías de la lectura Libros, cuerpos y bibliomanía. Ediciones Manantial. Official URL: http://www.emanantial.com.ar/editorial/libros/deta...

Littau, K (2006) Theories of reading: books, bodies, and bibliomania. Polity Press, Cambridge, England, p. 194. ISBN 9780745616599.

Littau, K (1997) Translation in the Age of Postmodern Production: From Text to Intertext to Hypertext. Forum for Modern Language Studies, 33 (1). pp. 81-96. DOI https://doi.org/10.1093/fmls/XXXIII.1.81

Littau, K (2016) Translation's Histories and Digital Futures. International Journal of Communication, 10. pp. 907-928.

Littau, K (2011) An archaeology of affect: Reading, history and gender. Primerjalna Knjizevnost, 34 (2). pp. 193-203.

Littau, Karin (2015) "In the Beginning"... an Intermedial Babel. SubStance: A Review of Theory and Literary Criticism, 44.3 (138). pp. 112-127. DOI https://doi.org/10.3368/ss.44.3.112

Littau, Karin (2000) Pandora's Tongues. TTR: Traduction, Terminologie, Rédaction: Etudes sur le Texte et Ses Transformations, 13 (1). pp. 21-35. DOI https://doi.org/10.7202/037391ar

Littau, Karin (1993) Performing Translation. Theatre Research International, 18 (1). pp. 53-60. DOI https://doi.org/10.1017/s0307883300017570

Littau, Karin (2005) Serial Translation: Angela Carter's New Reading of Pabst's Wedekind's Lulu. Comparative Critical Studies, 2 (1). pp. 45-65. DOI https://doi.org/10.3366/ccs.2005.2.1.45

Littau, Karin (2018) Two Ages of World Literature. In: Translation and World Literature. New Perspectives in Translation and Interpreting Studies . Routledge, 159 - 174. ISBN 9781138641754. Official URL: https://www.routledge.com/Translation-and-World-Li...

Littau, Karin (2009) <i>Summa Phantasmagoria</i>. Comparative Critical Studies, 6 (3). pp. 403-409. DOI https://doi.org/10.3366/e1744185409000871

Livingstone, A (2008) The marsh of gold: Pasternak's writings on inspiration and creation. Studies in Russian and Slavic literatures, cultures and history . Academic Studies Press. ISBN 9781934843239.

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Mazzilli, M (2015) Desiring the Bodies of Ruan Lingyu and Linda Lin Dai. In: Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Bridge21 Publications. ISBN 978-1626430105.

Mazzilli, M and Bergen-Aurand, B and Wai-Siam, H (2015) Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Bridge21 Publications, Los Angeles. ISBN 978-1626430105.

Mazzilli, Mary (2015) Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre. Methuen Drama, London, England. ISBN 978-1472591609. Official URL: https://www.bloomsbury.com/uk/gao-xingjians-post-e...

Mazzilli, Mary (2015) Gender in Gao Xingjian's Between Life and Death: The Notion of Originary Self and the Use of Tripartition. Frontiers of Literary Studies in China, 9 (3). pp. 369-394. DOI https://doi.org/10.3868/s010-004-015-0018-2

Midhin, Majeed Mohammed (2017) The Artist as a Dramatic Character in Contemporary British Drama: A Critical Study of Stoppard, Barker and Wertenbaker. PhD thesis, University of Essex.

Mitsigkas, Neophytos (2016) Using Novels in English Language Teaching in Cyprus. PhD thesis, University of Essex.

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Oliver, S (2008) Crossing "Dark Barriers": Intertextuality and dialogue between Lord Byron and Sir Walter Scott. Studies in Romanticism, 47 (1). pp. 15-34.

Oliver, S (2016) Review essay: Anthony Howe. Byron and the Forms of Thought (Liverpool: Liverpool UP, 2013) and Carla Pomare. Byron and the Discourse of History (Farnham and Burlington: Ashgate, 2013). European Romantic Review, 27 (1). pp. 96-101. DOI https://doi.org/10.1080/10509585.2015.1124534

Oliver, Susan (2010) Ecologies of Disaffection: Interpreting Wastelands in Charles Brockden Brown's Edgar Huntly and Walter Scott's The Bride of Lammermoor. In: An Interpretive Turn: Essays on Cultural Expressions of Art and Literature. Bookman, 23 - 40.

Oliver, Susan (2009) Romantic 'Dantism,' Travel, Visions and Exile: Byron, Ugo Foscolo and Henry Francis Cary. Journal of Anglo-Italian Studies, 10. pp. 1-16.

Onyeisi, Rene (2020) Criminal Justice in British Playwriting and Theatre Practice, 1979-2017. PhD thesis, University of Essex.

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Pester, H (2016) The body and the page in poetry readings as remembrance of composition. In: Memory in the Twenty-First Century: New Critical Perspectives from the Arts, Humanities, and Sciences. UNSPECIFIED, 271 - 275. ISBN 978-1-349-56642-6.

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Saggers, Emma Louise (2016) Carnivalesque Inversion: The Subversive Fiction of Kurt Vonnegut. PhD thesis, University of Essex.

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Terry, P (2011) Shakespeare's Sonnets. Carcanet Press Ltd. ISBN 9781847770721.

Tinio, Pablo PL and Reiter-Palmon, Roni (2015) A note from the editors. In: UNSPECIFIED American Psychological Association (APA), 1 - 1. ISBN 978-1-85359-956-9.