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Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Number of items at this level: 51.

B

Bahun, Sanja (2008) 'History in Postmodern Theater: Heiner Müller, Caryl Churchill, and Suzan-Lori Parks.' Comparative Literature Studies, 45 (4). pp. 446-470. ISSN 0010-4132

Biehl-Missal, Brigitte (2011) 'Business is Show Business: Management Presentations as Performance.' Journal of Management Studies, 48 (3). pp. 619-645. ISSN 0022-2380

Biehl-Missal, Brigitte (2010) 'Hero takes a fall: A lesson from theatre for leadership.' Leadership, 6 (3). pp. 279-294. ISSN 1742-7150

Biehl-Missal, Brigitte (2010) 'Improvisational Theatre in Management Education: Exploring arts-based approaches to enhance student learning.' Aberystwyth University Journal of Academic Practice: , 1 (1).

Biehl-Missal, Brigitte (2013) 'The atmosphere of the image: an aesthetic concept for visual analysis.' Consumption Markets & Culture, 16 (4). pp. 356-367. ISSN 1025-3866

Biehl-Missal, Brigitte (2008) 'The performance of women and men in organisations: a theatre studies approach.' Gender in Management: An International Journal, 23 (7). pp. 522-527. ISSN 1754-2413

Biehl-Missal, Brigitte and Saren, Michael (2012) 'Atmospheres of Seduction: A Critique of Aesthetic Marketing Practices.' Journal of Macromarketing, 32 (2). pp. 168-180. ISSN 0276-1467

Bradby, David and Finburgh, Clare (2011) Jean Genet. Routledge Modern and Contemporary Dramatists . Routledge, London. ISBN 9780415375047

C

Coldiron, Margaret and Palermo, Carmencita and Strawson, Tiffany (2015) 'Women in Balinese Topeng: Voices, Reflections, and Interactions.' Asian Theatre Journal, 32 (2). pp. 464-492. ISSN 1527-2109

F

Finburgh, Clare (2014) 'Entries on Jean Genet (pp. 101-6), Eugène Ionesco (pp. 116-20) and Michel Vinaver (pp. 225-30).' In: Gale, Maggie and Deeney, John, (eds.) Fifty Contemporary and Modern Dramatists. Routledge, London. ISBN 978-0415630368

Finburgh, Clare (2010) 'Entries on the subjects of “Croisements”, and “La Vue d’ailleurs.' In: Corvion, Michael, (ed.) Noëlle Renaude, atlas alphabétique d'un nouveau monde. Editions Théâtrales, Paris. ISBN 9782842603267

Finburgh, Clare (2010) 'External and Internal Dramaturgies: The French Context1.' Contemporary Theatre Review, 20 (2). pp. 203-213. ISSN 1048-6801

Finburgh, Clare (2015) 'Flora, Fauna and Fakery in the Theatre of Jean Genet.' In: Lavery, Carl and Finburgh, Clare, (eds.) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Academic. ISBN 978-1472506672 (In Press)

Finburgh, Clare (2010) 'Le théâtre britannique contemporain post-11 septembre 2001: du théâtre verbatim à l’allégorie.' In: Lescot, David and Véray, Laurent, (eds.) Les mises en scène de la guerre au XXè siècle : Théâtre et cinéma. Presses Universitaires de Paris Ouest, Paris, pp. 42-54. ISBN 9782847365764

Finburgh, Clare (2010) 'The Politics of Translating Contemporary French Theatre: How 'Linguistic Translation' becomes 'Stage Translation'.' In: Baines, Roger and Marinetti , Cristina and Perteghella, Manuela, (eds.) Staging and Performing Translation Text and Theatre Practice. Palgrave-Macmillan, Basingstoke. ISBN 9780230228191

Finburgh, Clare (2014) 'Press, Patrols and Power: The British Army in Recent UK Theatre.' Double Jeu, 10. pp. 45-58. ISSN 1762-0597

Finburgh, Clare (2008) 'in Howard Barker’s Theatre: Object or Subject?' Études Britanniques Contemporaines, 35. pp. 127-139. ISSN 1168-4917

Finburgh, Clare and Lavery, Carl (2011) Contemporary French Theatre and Performance. Palgrave Macmillan, Basingstoke; New York. ISBN 9780230580510

Finburgh, Clare and Lavery, Carl (2011) 'Playwriting and Directing in France Today.' In: Finburgh, Clare and Lavery, Carl, (eds.) Contemporary French Theatre and Performance. Palgrave Macmillan, Basingstoke; New York, pp. 68-79. ISBN 9780230580510

G

Gillett, John (2014) Acting Stanislavski: A practical guide to Stanislavski’s approach and legacy. Bloomsbury Methuen Drama, London. ISBN 9781408184981 (In Press)

Gillies, John (2010) 'The Author’s Accomplice, or the unsearchable complicities of players in the making of Elizabethan Drama.' In: Bradshaw, Graham and Bishop, Tom and Schalkwyk, David, (eds.) The Shakespearean International Yearbook: Special Section: The Achievement of Robert Weimann. Ashgate, pp. 119-141. ISBN 9781409408581

Gillies, John (2010) '"Mighty Space": The Ordinate and the Exorbitant in two Shakespeare Plays.' In: Del Sapio Garbero, Maria and Isenberg, Nancy and Pennacchia, Maddalena, (eds.) Questioning Bodies in Shakespeare's Rome. Interfacing Science, Literature, and the Humanities (4). Unipress, Goettingen, pp. 259-274. ISBN 9783899717402

Gutekunst, Christina and Gillett, John (2014) Voice into Acting: Integrating voice and the Stanislavski approach. Performance Books . Bloomsbury Methuen Drama, London. ISBN 9781408183564

K

Kuti, Elizabeth (2014) The Broken Token. John Gielgud Studio (RADA Festival) & Theatre Royal, Bury St Edmunds.

Kuti, Elizabeth (2009) Dear Mr Spectator, Series 1. BBC.

Kuti, Elizabeth (2010) Dear Mr Spectator, Series 2. BBC.

Kuti, Elizabeth (2016) Encounters with the Past. Historic Royal Palaces, Hampton Court.

Kuti, Elizabeth (2013) Fishskin Trousers. Nick Hern Books. ISBN 9781848423626

Kuti, Elizabeth (2015) Lefter Than Thou. Royal Academy of Dramatic Art playreadings series.

Kuti, Elizabeth (2012) ''"Strangeness Made Sense": On being a Non-Irish, Irish Playwright'.' In: Grene, Nicholas and Lonergan, Patrick, (eds.) Irish Drama: Global and Local Perspectives. Carysfort Press, Dublin. ISBN 9781904505-631

Kuti, Elizabeth (2015) Time Plays. Historic Royal Palaces, Hampton Court.

Kuti, Elizabeth (2008) 'Tragic Plots from Bootle to Baghdad.' Contemporary Theatre Review, 18 (4). pp. 457-469. ISSN 1048-6801

Kuti, Elizabeth (2015) United Incandescent. Rehearsed reading, Old Red Lion Theatre Pub, London.

L

Lavery, Carl and Finburgh, Clare (2015) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Academic. ISBN 978-1472506672 (In Press)

Lichtenstein, Jonathan (2011) Darkness. Edinburgh Festival.

Lichtenstein, Jonathan (2009) Requiem. Theatre Royal Bury St Edmunds.

Lichtenstein, Jonathan (2011) Yarico and Inkle. New Wolsey Theatre, Ipswich.

Littau, Karin (1993) 'Performing Translation.' Theatre Research International, 18 (1). pp. 53-60. ISSN 0307-8833

Littau, Karin (1995) 'Refractions of the Feminine: The Monstrous Transformations of Lulu.' MLN, 110 (4). pp. 888-912. ISSN 0026-7910

Littau, Karin (2005) 'Serial Translation: Angela Carter’s New Reading of Pabst’s Wedekind’s Lulu.' Comparative Critical Studies, 2 (1). pp. 45-65. ISSN 1744-1854

M

Maxwell, Glyn (2013) Cyrano De Bergerac. Oberon Books. ISBN 9781783190331

Maxwell, Glyn (2012) Masters Are You Mad? The Search for Malvolio. Oberon. ISBN 9781849434072

Maxwell, Glyn and Bedford, Luke (2011) Seven Angels. Oberon. ISBN 9781849430791

Mazzilli, Mary (2015) 'Desiring the Bodies of Ruan Lingyu and Linda Lin Dai.' In: Mazzilli, Mary and Bergen-Aurand, Brian and Wai-Siam, Hee, (eds.) Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Bridge21 Publications, Los Angeles. ISBN 978-1626430105

Mazzilli, Mary (2015) Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre. Bloomsbury Methuen Drama, London. ISBN 978-1472591609

Mazzilli, Mary (2015) 'Gender in Gao Xingjian’s Between Life and Death: The Notion of Originary Self and the Use of Tripartition.' Frontiers of Literary Studies in China, 9 (3). pp. 369-394. ISSN 1673-7318

P

Prichard, Rebecca (2010) 'Dream Pill.' In: UNSPECIFIED, (ed.) Charged. Nick Hern Books. ISBN 9781848421295

Prichard, Rebecca (2010) LICA Research Seminar: Rebecca Prichard on Creating Alternative Realities: Applied Drama and Playwriting with Females Survivors of Violence. [Show/Exhibition]

Prichard, Rebecca (2012) Parallax. Almeida Festival 2012.

Prichard, Rebecca (2012) Porn Etc. Lakeside Theatre.

T

Tames, Elizabeth A (2016) Playing Monopoly: Actor/Manager Robert William Elliston (1774–1831) and the Struggle for a Free Stage in London 1802–32. PhD thesis, University of Essex.

This list was generated on Mon Apr 24 21:02:28 2017 BST.