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Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Number of items at this level: 54.

B

Bahun, S (2008) 'History in Postmodern Theater: Heiner M�ller, Caryl Churchill, and Suzan-Lori Parks.' Comparative Literature Studies, 45 (4). 446 - 470. ISSN 0010-4132

Biehl, Brigitte (2008) 'The performance of women and men in organisations: a theatre studies approach.' Gender in Management: An International Journal, 23 (7). 522 - 527. ISSN 1754-2413

Biehl-Missal, B (2010) 'Hero takes a fall: A lesson from theatre for leadership.' Leadership, 6 (3). 279 - 294. ISSN 1742-7150

Biehl-Missal, B (2010) 'Improvisational Theatre in Management Education: Exploring arts-based approaches to enhance student learning.' Aberystwyth University Journal of Academic Practice:, 1 (1).

Biehl-Missal, B and Saren, M (2012) 'Atmospheres of Seduction: A Critique of Aesthetic Marketing Practices.' Journal of Macromarketing, 32 (2). 168 - 180. ISSN 0276-1467

Biehl-Missal, Brigitte (2011) 'Business is Show Business: Management Presentations as Performance.' Journal of Management Studies, 48 (3). 619 - 645. ISSN 0022-2380

Biehl-Missal, Brigitte (2013) 'The atmosphere of the image: an aesthetic concept for visual analysis.' Consumption Markets & Culture, 16 (4). 356 - 367. ISSN 1025-3866

Bradby, D and Finburgh, C (2011) Jean Genet. Routledge Modern and Contemporary Dramatists . Routledge. ISBN 9780415375047

C

Coldiron, M and Palermo, C and Strawson, T (2015) Women in balinese Topeng: Voices, reflections, and interactions. In: UNSPECIFIED, ? - ?.

F

Finburgh, C (2014) 'Entries on Jean Genet (pp. 101-6), Eug�ne Ionesco (pp. 116-20) and Michel Vinaver (pp. 225-30).' In: Gale, M and Deeney, J, (eds.) Fifty Contemporary and Modern Dramatists. Routledge. ISBN UNSPECIFIED

Finburgh, C (2010) 'Entries on the subjects of ?Croisements?, and ?La Vue d?ailleurs.' In: Corvion, M, (ed.) No�lle Renaude, atlas alphab�tique d'un nouveau monde. Editions Th��trales. ISBN 9782842603267

Finburgh, C (2015) Flora, Fauna and Fakery in the Theatre of Jean Genet. Bloomsbury Academic.

Finburgh, C (2010) 'Le th��tre britannique contemporain post-11 septembre 2001: du th��tre verbatim � l?all�gorie.' In: Lescot, D and V�ray, L, (eds.) Les mises en sc�ne de la guerre au XX� si�cle : Th��tre et cin�ma. Presses Universitaires de Paris Ouest, 42 - 54. ISBN 9782847365764

Finburgh, C (2010) 'The Politics of Translating Contemporary French Theatre: How 'Linguistic Translation' becomes 'Stage Translation'.' In: Baines, R and Marinetti, C and Perteghella, M, (eds.) Staging and Performing Translation Text and Theatre Practice. Palgrave-Macmillan. ISBN 9780230228191

Finburgh, C (2014) 'Press, Patrols and Power: The British Army in Recent UK Theatre.' Double Jeu, 10. 45 - 58. ISSN 1762-0597

Finburgh, C (2008) 'in Howard Barker?s Theatre: Object or Subject?' �tudes Britanniques Contemporaines, 35. 127 - 139. ISSN 1168-4917

Finburgh, C and Lavery, C (2011) Contemporary French Theatre and Performance. Palgrave Macmillan. ISBN 9780230580510

Finburgh, C and Lavery, C (2011) 'Playwriting and Directing in France Today.' In: Finburgh, C and Lavery, C, (eds.) Contemporary French Theatre and Performance. Palgrave Macmillan, 68 - 79. ISBN 9780230580510

Finburgh, Clare (2010) 'External and Internal Dramaturgies: The French Context 1.' Contemporary Theatre Review, 20 (2). 203 - 213. ISSN 1048-6801

G

Gillett, John (2014) Acting Stanislavski: A practical guide to Stanislavski’s approach and legacy. Bloomsbury Methuen Drama, London. ISBN 9781408184981 (In Press)

Gillett, John and Gutekunst, Christina (2014) Voice into Acting Integrating voice and the Stanislavski approach. Bloomsbury Methuen Drama. ISBN 9781408183564, 1408183560

Gillies, J (2010) 'The Author's Accomplice, or the unsearchable complicities of players in the making of Elizabethan Drama.' In: Bradshaw, G and Bishop, T and Schalkwyk, D, (eds.) The Shakespearean International Yearbook: Special Section: The Achievement of Robert Weimann. Ashgate, 119 - 141. ISBN 9781409408581

Gillies, J (2010) '"Mighty Space": The Ordinate and the Exorbitant in two Shakespeare Plays.' In: Del Sapio Garbero, M and Isenberg, N and Pennacchia, M, (eds.) Questioning Bodies in Shakespeare's Rome. Interfacing Science, Literature, and the Humanities . Unipress, 259 - 274. ISBN 9783899717402

H

Hornsby, Richard A (2017) Liberating the Actor to Find the Voice of a Play An investigation into theatre directing processes used with actors to discover and articulate the authentic message of the play, with specific application to My Name is Rachel Corrie. Masters thesis, University of Essex.

K

Kuti, E (2014) The Broken Token. John Gielgud Studio (RADA Festival) & Theatre Royal, Bury St Edmunds.

Kuti, E (2009) Dear Mr Spectator, Series 1. BBC.

Kuti, E (2010) Dear Mr Spectator, Series 2. BBC.

Kuti, E (2016) Encounters with the Past. Historic Royal Palaces, Hampton Court.

Kuti, E (2013) Fishskin Trousers. Nick Hern Books. ISBN 9781848423626

Kuti, E (2015) Lefter Than Thou. Royal Academy of Dramatic Art playreadings series.

Kuti, E (2012) ''"Strangeness Made Sense": On being a Non-Irish, Irish Playwright'.' In: Grene, N and Lonergan, P, (eds.) Irish Drama: Global and Local Perspectives. Carysfort Press. ISBN UNSPECIFIED

Kuti, E (2015) Time Plays. Historic Royal Palaces, Hampton Court.

Kuti, E (2015) United Incandescent. Rehearsed reading, Old Red Lion Theatre Pub, London.

Kuti, Elizabeth (2008) 'Tragic Plots from Bootle to Baghdad.' Contemporary Theatre Review, 18 (4). 457 - 469. ISSN 1048-6801

L

Lavery, C and Finburgh, C (2015) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Academic.

Lichtenstein, J (2011) Darkness. Edinburgh Festival.

Lichtenstein, J (2009) Requiem. Theatre Royal Bury St Edmunds.

Lichtenstein, J (2011) Yarico and Inkle. New Wolsey Theatre, Ipswich.

Littau, K (1993) 'Performing Translation.' Theatre Research International, 18 (1). 53 - 60. ISSN 0307-8833

Littau, Karin (1995) 'Refractions of the Feminine: The Monstrous Transformations of Lulu.' MLN, 110 (4). 888 - 912. ISSN 1080-6598

Littau, Karin (2005) 'Serial Translation: Angela Carter's New Reading of Pabst's Wedekind's Lulu.' Comparative Critical Studies, 2 (1). 45 - 65. ISSN 1744-1854

M

Maxwell, Glyn (2013) Cyrano De Bergerac. Oberon Books. ISBN 9781783190331

Maxwell, Glyn (2012) Masters Are You Mad? The Search for Malvolio. Oberon. ISBN 9781849434072

Maxwell, Glyn and Bedford, Luke (2011) Seven Angels. Oberon. ISBN 9781849430791

Mazzilli, M (2015) 'Desiring the Bodies of Ruan Lingyu and Linda Lin Dai.' In: Mazzilli, M and Bergen-Aurand, B and Wai-Siam, H, (eds.) Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Bridge21 Publications. ISBN UNSPECIFIED

Mazzilli, M (2015) 'Gender in Gao Xingjian?s Between Life and Death: The Notion of Originary Self and the Use of Tripartition.' Frontiers of Literary Studies in China, 9 (3). 369 - 394. ISSN 1673-7318

Mazzilli, Mary (2015) Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre. Methuen Drama. ISBN 9781472591609

Midhin, Majeed Mohammed (2017) The Artist as a Dramatic Character in Contemporary British Drama: A Critical Study of Stoppard, Barker and Wertenbaker. PhD thesis, University of Essex.

P

Prichard, Rebecca (2010) 'Dream Pill.' In: UNSPECIFIED, (ed.) Charged. Nick Hern Books. ISBN 9781848421295

Prichard, Rebecca (2010) LICA Research Seminar: Rebecca Prichard on Creating Alternative Realities: Applied Drama and Playwriting with Females Survivors of Violence. [Show/Exhibition]

Prichard, Rebecca (2012) Parallax. Almeida Festival 2012.

Prichard, Rebecca (2012) Porn Etc. Lakeside Theatre.

S

Shambhu, S and Lichtenstein, J (2017) My Inside Playground. Lakeside Theatre, University of Essex.

T

Tames, Elizabeth A (2016) Playing Monopoly: Actor/Manager Robert William Elliston (1774–1831) and the Struggle for a Free Stage in London 1802–32. PhD thesis, University of Essex.

This list was generated on Sat Aug 19 20:24:53 2017 BST.