Sel, Alejandra and Calvo-Merino, Beatriz (2013) Neuroarquitectura de la emoción musical [Neuroarchitecture of musical emotions]. Revista de Neurologia, 56 (5). pp. 289-297. DOI https://doi.org/10.33588/rn.5605.2013001
Sel, Alejandra and Calvo-Merino, Beatriz (2013) Neuroarquitectura de la emoción musical [Neuroarchitecture of musical emotions]. Revista de Neurologia, 56 (5). pp. 289-297. DOI https://doi.org/10.33588/rn.5605.2013001
Sel, Alejandra and Calvo-Merino, Beatriz (2013) Neuroarquitectura de la emoción musical [Neuroarchitecture of musical emotions]. Revista de Neurologia, 56 (5). pp. 289-297. DOI https://doi.org/10.33588/rn.5605.2013001
Abstract
The emotional response to music, or musical emotion, is a universal response that draws on diverse psychological processes implemented in a large array of neural structures and mechanisms. Studies using electroencephalography, functional magnetic resonance, lesions and individuals with extent musical training have begun to elucidate some of these mechanisms. The objective of this article is reviewing the most relevant studies that have tried to identify the neural correlates of musical emotion from the more automatic to the more complex processes, and to understand how these correlates interact in the brain. The article describes how the presentation of music perceived as emotional is associated with a rapid autonomic response in thalamic and subthalamic structures, accompanied by changes in the electrodermal and endocrine responses. It also explains how musical emotion processing activates auditory cortex, as well as a series of limbic and paralimbic structures, such as the amygdala, the anterior cingulate cortex or the hippocampus, demonstrating the relevant contribution of the limbic system to musical emotion. Further, it is detailed how musical emotion depends to a great extent on semantic and syntactic process carried out in temporal and parietofrontal areas, respectively. Some of the recent works demonstrating that musical emotion highly relies on emotional simulation are also mentioned. Finally, a summary of these studies, their limitations, and suggestions for further research on the neuroarchitecture of musical emotion are given.
Item Type: | Article |
---|---|
Uncontrolled Keywords: | Brain; Humans; Brain Mapping; Emotions; Music |
Divisions: | Faculty of Science and Health Faculty of Science and Health > Psychology, Department of |
SWORD Depositor: | Unnamed user with email elements@essex.ac.uk |
Depositing User: | Unnamed user with email elements@essex.ac.uk |
Date Deposited: | 25 May 2021 13:00 |
Last Modified: | 30 Oct 2024 17:38 |
URI: | http://repository.essex.ac.uk/id/eprint/30474 |