Items where Division is "Faculty of Arts and Humanities > East 15 Acting School" and Year is 2014

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Gillett, John (2014) Acting Stanislavski: A practical guide to Stanislavski’s approach and legacy. Bloomsbury Methuen Drama, London. ISBN 9781408184981. Official URL: http://www.bloomsbury.com/uk/acting-stanislavski-9... (In Press)

Gillett, John and Gutekunst, Christina (2014) Voice into Acting Integrating voice and the Stanislavski approach. Bloomsbury Methuen Drama. ISBN 9781408183564.

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Kapadocha, Christina (2014) Actor training and the camera: the documentation of a somatic approach to acting. In: TaPRA 2014, 2014-09-03 - 2014-09-05, Royal Holloway, University of London. (Unpublished)

Kapadocha, Christina (2014) The ‘Basic Neurological Patterns’ in a somatic approach to acting. In: CFP: Embodied Cognition, Acting and Performance at AISB-50, 2014-04-01 - 2014-04-04, Goldsmiths University. (Unpublished)

Kapadocha, Christina (2014) Breathing the Role: a somatic acting exploration. In: Collisions 2014-New Research in Performance Practice, 2014-09-25 - 2014-09-27, Royal Central School of Speech and Drama. (Unpublished)

Kapadocha, Christina (2014) Intersections between embodied logos and embodied perception in a somatic approach to acting. In: Intersections 2014: The Colloquium of Performance Research Conference, 2014-01-16 - 2014-01-17, Royal Central School of Speech and Drama. (Unpublished)

Kapadocha, Christina (2014) Reenacting the Beginning: from conception of Dionysus. In: Annual BMCA (Body-Mind Centering Association) U.S. Conference, 2014-06-25 - 2014-06-29, Skidmore College, Saratoga Springs, New York. (Unpublished)

Kapadocha, Christina (2014) Towards intersubjective dynamics in psychophysical actor training: logos and the use of metaphor. In: TaPRA Interim Event- The Voice of Training, Performer Training Working Group, 2014-05-07 - 2014-05-07, University of Portsmouth, Portsmouth. (Unpublished)