Items where Division is "Faculty of Arts and Humanities > Literature, Film, and Theatre Studies, Department of " and Year is 2022

Article

Dikova, Stanislava (2022) Characterization and the hermeneutics of recognition in Virginia Woolf’s The Voyage Out. Feminist Modernist Studies, 5 (2). pp. 227-241. DOI https://doi.org/10.1080/24692921.2022.2060656

McCully, Christopher (2022) Raiding the demotic: verse as evidence for speech prosody in Old and Middle English. English Language and Linguistics, 26 (3). pp. 513-532. DOI https://doi.org/10.1017/S1360674322000132

McCully, Christopher and Minkova, Donka (2022) Verse structure and linguistic modelling: introductory notes. English Language and Linguistics. (In Press)

Seeger, Sean (2022) L’Utopia, o quel che resta del futuro [Utopia, or What is Left of the Future?]. Frontiere della psicoanalisi, 1 (2). pp. 481-494. DOI https://doi.org/10.48270/104371

Simpson, Penny (2022) “Breaking the Frame:” The Role of Artmaking in Narratives of Migration and Diaspora. Lit: Literature Interpretation Theory, 33 (3). pp. 212-227. DOI https://doi.org/10.1080/10436928.2022.2100667

Williams, Nora (2022) Incomplete Dramaturgies. Shakespeare Bulletin: a journal of performance, criticism, and scholarship, 40 (1). pp. 1-22. DOI https://doi.org/10.1353/shb.2022.0000

Book Section

Geiger, Jeffrey (2022) Desegregating the Screen: Oscar Micheaux and the Rise of Activist Cinema. In: D. W. Griffith's The Birth of a Nation Art, culture and ethics in black and white. Manchester University Press, Manchester. ISBN 978-1-5261-6445-2. Official URL: https://manchesteruniversitypress.co.uk/9781526164...

Littau, Karin (2022) Media, Materiality and the Possibility of Reception: Anne Carson’s Catullus. In: Unsettling Translation: Studies in Honour of Theo Hermans. Taylor & Francis, London, pp. 123-139. ISBN 9781000583762. Official URL: https://www.taylorfrancis.com/books/oa-edit/10.432...

Littau, Karin (2022) Una arqueología del afecto: lectura, historia y género. In: El placer de la lectura: Cuerpos, afectos, textos. Centro de Investigaciones sobre América del Norte . Universidad Nacional Autónoma de México/CISAN, México City, pp. 17-32. ISBN 9786073051965. Official URL: http://www.librosoa.unam.mx/handle/123456789/3464

Mazzilli, Mary (2022) Transnational Neighbourhood and Theatrical Practices- The Concept of Home, Negotiating Strangeness and Familiarity, and the Experience of Migrant Communities in North Essex. In: Exploring the Transnational Neighbourhood Perspectives on Community-Building, Identity and Belonging. Leuven University Press, pp. 292-315. ISBN 9789462703483. Official URL: https://doi.org/10.2307/j.ctv30dxwr8.16

Peake, Jak (2022) Cyril Briggs: Guns, Bombs, Spooks and Writing the Revolution. In: Revolutionary Lives of the Red and Black Atlantic. Racism, Resistance and Social Change, 2 . Manchester University Press, Manchester. ISBN 978-1-5261-4478-2. Official URL: https://manchesteruniversitypress.co.uk/9781526144...

Thesis

Ang, Yit Ho Joshua (2022) To the ends of the earth: Post-Anthropocene cosmopolitanism in the novels of Kazuo Ishiguro, Margaret Atwood, and David Mitchell. PhD thesis, University of Essex.

Bouallegue, Leyla (2022) Representations of Motherhood by Female Ethnic Minority Novelists in Britain. PhD thesis, University of Essex.

Govia, Francesca (2022) Diversifying Dialogues: How Schizophrenia-Centred Neuro-Memoirs Challenge Understandings of Otherness. PhD thesis, University of Essex.

Lax, Annecy (2022) Conscience and Consciousness: British Theatre and Human Rights. PhD thesis, University of Essex.

Mathieson, Janet (2022) The Cells: the creation of a novel from an interdisciplinary writing practice, in dialogue with Julia Kristeva, to reimagine cancer and care. PhD thesis, University of Essex.

Rutherford, Jack Neil (2022) Indigenous Presence in the US Imagination: A Study of Native American Representation in Cinema from the Myth of the West to Standing Rock. PhD thesis, University of Essex.

Other

O'Brien, Daniel (2022) The TV dictionary and my first cuts and edits into videographic criticism. CST Online.