Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

Article

Ades, Dawn (2010) Objects of Enquiry: An Art Historian’s Response to Peter Burke. Cultural and Social History, 7 (4). pp. 445-452. DOI https://doi.org/10.2752/147800410x12797967060885

Biehl-Missal, B (2012) Using artistic form for aesthetic organizational inquiry: Rimini Protokoll constructs Daimler's Annual General Meeting as a theatre play. Culture and Organization, 18 (3). pp. 211-229. DOI https://doi.org/10.1080/14759551.2011.634194

Costa Söderlund, Kalinca (2015) Laura Lima at Bonniers Konsthall: Aesthetic Systems as ‘Ways of Worldmaking’. Konsthistorisk tidskrift/Journal of Art History, 84 (3). pp. 192-199. DOI https://doi.org/10.1080/00233609.2015.1011689

Cox, Neil (2011) Picasso. Angelaki, 16 (1). pp. 199-222. DOI https://doi.org/10.1080/0969725x.2011.564373

Iversen, Margaret (2012) Analogue: On Zoe Leonard and Tacita Dean. Critical Inquiry, 38 (4). pp. 796-818. DOI https://doi.org/10.1086/667425

Iversen, Margaret (2009) Auto-maticity: Ruscha and Performative Photography. Art History, 32 (5). pp. 836-851. DOI https://doi.org/10.1111//j.1467-8365.2009.00707.x

Lodder, M (2011) The Myth of the Modern Primitive. European Journal of American Culture, 30 (2). pp. 99-111. DOI https://doi.org/10.1386/ejac.30.2.99_1

Poole, Matthew (2009) <i>Issues in Curating Contemporary Art and Performance</i> , Judith Rugg &amp; Michèle Sedgwick (2007). Journal of Visual Art Practice, 8 (3). pp. 241-253. DOI https://doi.org/10.1386/jvap.8.3.241/5

Presciutti, Diana Bullen (2010) Carità e potere:representing the Medici grand dukes as ‘fathers of the Innocenti’. Renaissance Studies, 24 (2). pp. 234-259. DOI https://doi.org/10.1111/j.1477-4658.2009.00596.x

Presciutti, Diana Bullen (2019) Miracles in Monochrome: Grisaille in Visual Hagiography. Art History, 42 (5). pp. 862-891. DOI https://doi.org/10.1111/1467-8365.12465

Ruiz-Gómez, Natasha (2013) The 'Scientific Artworks' of Doctor Paul Richer. Medical Humanities, 39 (1). pp. 4-10. DOI https://doi.org/10.1136/medhum-2012-010279

Shukaitis, S (2013) We hate the users. An Interview with UBERMORGEN. Mute Magazine.

Vergo, Peter (2013) Hanslick and the Visual Arts. Umění/Art: Journal of the Institute of Art History/ Academy of Sciences of the Czech Republic, 61 (5). pp. 437-443.

Vergo, Peter (2011) The Lost Rider: Hungarian Art and Music in the Early Twentieth Century. The Hungarian Quarterly, 52 (204). pp. 70-77.

Viterbo, H (2004) From the Abyss of Oblivion to the Depths of the Feminine: A Poetic-Political Perspective on Gender and Sexuality. Tel Aviv University Interdisciplinary Journal, 6. pp. 2-6.

Book Section

Ades, Dawn (2012) 100% Photographic. In: In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States. Prestel. ISBN 9783791351414. Official URL: http://repository.essex.ac.uk/2528/

Ades, Dawn (2008) Camera Creation. In: Duchamp, Man Ray, Picabia. Tate Publishing. ISBN 9781854377319. Official URL: http://repository.essex.ac.uk/2166/

Ades, Dawn (2011) John Stezaker: Monteur. In: John Stezaker. Whitechapel Gallery and Ridinghouse. ISBN 9781905464333. Official URL: http://repository.essex.ac.uk/2527/

Ades, Dawn (2008) Little things: close-up in photo and film 1839-1963. In: Close-Up - Proximity And De-Familiarisation In Art, Film And Photography. Fruitmarket Gallery. ISBN 9780947912598. Official URL: http://repository.essex.ac.uk/6167/

Ades, Dawn (2016) Surrealism in Latin America. In: A Companion to Dada and Surrealism. Wiley, pp. 177-196. ISBN 9781118476185. Official URL: http://repository.essex.ac.uk/18081/

Bahun, Sanja (2015) Transitional justice and the arts: Reflections on the field. In: Theorizing Transitional Justice. Ashgate, pp. 153-166. ISBN 9781472418296.

Cox, Neil (2008) ‘Dunkle Materie: Braques Schwarz’. In: Georges Braque [exhibition catalogue]. Hatje Kantz, Vienna, pp. 70-81. ISBN 9783775722025.

Cox, Neil (2009) The Sur-reality Effect: the 1930s. In: Picasso: Challenging the Past, [exhibition catalogue]. National Gallery, London, pp. 87-93. ISBN 9781857094527.

Giebelhausen, Michaela (2009) 'The quest for Christ: William Holman Hunt and the writing of artistic motivation'. In: Writing the Pre-Raphaelites: text, context, subtext. Ashgate, Aldershot & London. ISBN 9780754657170.

Lodder, M (2015) The New Old Style: Tradition, Archetype and Rhetoric in Contemporary Western Tattooing. In: Revival: Memories, Identities, Utopias. The Courtauld Institute of Art, London. ISBN 978-1-907485-04-6.

Lodder, M (2015) Nostalgia. In: Revival: Memories, Identities, Utopias. The Courtauld Institute of Art, London. ISBN 978-1-907485-04-6.

Poole, Matthew (2008) 'The Politics of Affect in Walter Benjamin’s Dialectical Image'. In: Episode: Pleasure and Persuasion in Lens-based Media. Artwords Press. ISBN 9781906441036.

Ruiz-Gómez, Natasha (2008) 'Auguste Rodin and the 'Scientific Image': The Sublime Copy Versus the Photograph'. In: Visions of the Industrial Age, 1830-1914 Modernity and the Anxiety of Representation in Europe. Ashgate, Aldershot, pp. 109-138. ISBN 9780754664888. Official URL: https://www.routledge.com/Visions-of-the-Industria...

Ruiz-Gómez, Natasha (2010) Auguste Rodin, Photography, and the Construction of Masculinity. In: Interior Portraiture and Masculine Identity in France, 1789-1914. Ashgate, Aldershot, pp. 197-212. ISBN 9780754667841. Official URL: https://www.routledge.com/Interior-Portraiture-and...

Vergo, Peter (2011) 'How to paint a fugue'. In: Music and Modernism, c1849-1950. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 8-23. ISBN 9781443826969.

Vergo, Peter (2009) On Robert Priseman and the Possibility of Painting. In: Robert Priseman: Gas Chambers [catalogue of the exhibition shown at the Minories, Colchester, 5 October – 27 November 2009]. The Minories Art Gallery, Colchester Institute, Colchester.

Book

Ades, Dawn (2010) Andrew Lord. Milton Keynes Gallery and Santa Monica Museum of Art. ISBN 9780955761089. Official URL: http://repository.essex.ac.uk/2171/

Ades, Dawn and Baker, Simon (2008) Close-Up - Proximity And De-Familiarisation In Art, Film And Photography. Fruitmarket Gallery. ISBN 9780947912598. Official URL: http://repository.essex.ac.uk/2168/

Beech, Amanda and Joseph-Lester, Jaspar and Poole, Matthew (2008) Episode: Pleasure and Persuasion in Lens-based Media. Artwords Press. ISBN 9781906441036.

Cox, Neil (2011) Q&A Picasso ...off the record. Watkins Publishing. ISBN 9781907486630.

Giebelhausen, Michaela and Barringer, Tim (2009) Writing the Pre-Raphaelites: text, context, subtext. Ashgate, Aldershot. ISBN 9780754657170.

Iversen, Margaret (2010) Chance. Documents of Contemporary Art . The MIT Press, London and Cambridge Massachusetts, pp. 12-27. ISBN 9780262513920.

Iversen, Margaret and Melville, Stephen (2010) Writing Art History Disciplinary Departures. University of Chicago Press, Chicago. ISBN 9780226388267. Official URL: http://press.uchicago.edu/ucp/books/book/chicago/W...

Lepine, A and Lodder, M and McKever, R (2015) Revival: Memories, Identities, Utopias. The Courtauld Institute of Art, London. ISBN 978-1-907485-04-6.

Lodder, M (2024) Tattoo: An Art History (Forthcoming). IB Tauris. ISBN 9781780762364. (In Press)

Pearson, C (2011) Humanism and the Urban World: Leon Battista Alberti and the Renaissance City. Penn State University Press. ISBN 9780271048550.

Tymkiw, Michael (2018) Nazi Exhibition Design and Modernism. University of Minnesota Press. ISBN 978-1-5179-0057-1. Official URL: https://www.upress.umn.edu/book-division/books/naz...

Vergo, Peter (2010) The Music of Painting. Music, Modernism and the Visual Arts from the Romantics to John Cage. Phaidon, London. ISBN 9780714857626.

Thesis

Adams, Christopher David (2016) More Alive than Ever? Futurism in the 1940s. PhD thesis, University of Essex.

Atkinson, Victoria (2017) Unravelling the Musical in Art: Matisse, his music and his textiles. PhD thesis, University of Essex.

Barsy Janer, Marina (2018) TRICKSTERS OF THE SPECTATORial The decolonial proposals of performance artivism through the encounters with La Pocha Nostra and Freddie Mercado. PhD thesis, University of Essex.

Bartlett, T (2020) Recent developments in portraiture: what does it mean to bring a portrait to life? Masters thesis, University of Essex.

Casey Benyahia, Sarah (2019) Lives in Limbo: Memory, History, and Entrapment in the Temporal Gateway Film. PhD thesis, University of Essex.

Cox, Y C (2021) Two senses of 'installation' -what does it mean to place a work of art? Masters thesis, University of Essex.

Dolling, Sophie (2020) Therapy, awareness, community and laughter - a case study in art, design and chronic illness. Masters thesis, University of Essex.

Dudley, Ian A (2017) Edward Goodall’s ‘Sketches in British Guiana’: art, anthropography and colonialism in 19th century Amazonia. Doctoral thesis, University of Essex.

Escribano, Miguel (2016) Dalí's Religious Models: the Iconography of Martyrdom and its Contemplation. PhD thesis, University of Essex.

Gill, Sabina (2017) Exposing Wounds: Traces of Trauma in Post-War Polish Photography. PhD thesis, University of Essex.

Grice, Brigitte Nicole (2023) International Surrealism and the Contemporary Epoch: A Surrealist Document with Questions, Principles and Memory Maps. Doctoral thesis, University of Essex.

Harrold, Toni-Marie (2017) “I'm No Cactus Expert, But I Know A Prick When I See One” -Image, Text, Therapy and Vengeance in Art by Women. Masters thesis, University of Essex.

Havsteen-Franklin, Dominik (2016) When is a Metaphor? Art Psychotherapy and the Formation of the Creative Relationship Metaphor. PhD thesis, University of Essex.

Hodges, C H (2018) "I am a Princess" Foster care, Therapy, Art. Masters thesis, University of Essex.

Ismahasan, Biung (2021) Indigenous relational space and performance: curating together towards sovereignty in Taiwan and beyond. PhD thesis, University of Essex.

Kogler-Heimburger, S B (2017) Shifting Curatorial Strategies for Art from Latin America and Latino Art at the Museum of Fine Arts, Houston 1956 - 2004. PhD thesis, University of Essex.

Lutyens-Stobbs, Anne (2019) Seeking the Family Face An experiment in and investigation of portraiture. Masters thesis, University of Essex.

Maggs, Jacqueline Iris (2023) The Horror of Life and the Ecstasy of Life: Édouard Manet’s Preoccupation with Religion, Death and Mortality. Doctoral thesis, University of Essex.

Murrieta Flores, David Alejandro Jerzy (2017) Situationist Margins: The Situationist Times, King Mob, Black Mask, and S.NOB Magazines. PhD thesis, University of Essex.

Musgrove, Paula (2019) Costume as an active component of performance. Masters thesis, University of Essex.

O Dunlaing, Cliona (2021) Facets of the Crystalline: Study of a Motif 1900-2020. PhD thesis, University of Essex.

Paz Moscoso, Valeria (2016) Roberto Valcárcel: Renaming Repression and Rehearsing Liberation in Contemporary Bolivian Art. PhD thesis, University of Essex.

Price, Theodore (2022) Emergency Images:The COBR Committee and the visual culture of emergency politics. PhD thesis, University of Essex.

Simpson, Penelope Claire (2019) Bone seeds: the creation of a novel from an interdisciplinary writing practice, in dialogue with Walter Benjamin's Denkbild, to reimagine narratives of aftermath. PhD thesis, University of Essex.

Sterry, Elizabeth (2015) Fine art, folk art,and web 2.0. Masters thesis, University of Essex.

Theodoropoulou, Dimitra (2024) Demystifying Art Therapy with children and young people in a UK mental health charity: how Art Therapists make the tacit tangible in conceptualising change. Doctoral thesis, University of Essex.

Waschneck, Katja (2018) Screening OULIPO : From Potential Literature to Potential Film. PhD thesis, University of Essex.

Waters, Thomas (2020) A cinema of immanence: the films of Paul Verhoeven in Hollywood and beyond. PhD thesis, University Of Essex.

Wetton, Danielle (2018) Do ̶N̶o̶t̶ Enter, Do ̶N̶o̶t̶ Touch. Masters thesis, University of Essex.

Wood, Elizabeth (2019) #I'm With Her: An Artistic Exploration of Online Communication and Relationships. Masters thesis, University of Essex.