Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Bahun, S (2008) History in Postmodern Theater: Heiner M�ller, Caryl Churchill, and Suzan-Lori Parks. Comparative Literature Studies, 45 (4). pp. 446-470.

Becker, Mona (2019) Flieder, 1945 / Lilac, 2015 : visibility, memory, gender : writing and re-imagining National Socialist atrocity for the stage. PhD thesis, University of Essex.

Biehl-Missal, B (2011) Business is Show Business: Management Presentations as Performance. Journal of Management Studies, 48 (3). pp. 619-645. DOI https://doi.org/10.1111/j.1467-6486.2010.00931.x

Biehl-Missal, B (2010) Hero takes a fall: A lesson from theatre for leadership. Leadership, 6 (3). pp. 279-294. DOI https://doi.org/10.1177/1742715010368762

Biehl-Missal, B (2010) Improvisational Theatre in Management Education: Exploring arts-based approaches to enhance student learning. Aberystwyth University Journal of Academic Practice:, 1 (1).

Biehl-Missal, B (2013) The atmosphere of the image: an aesthetic concept for visual analysis. Consumption Markets & Culture, 16 (4). pp. 356-367. DOI https://doi.org/10.1080/10253866.2012.668369

Biehl-Missal, B (2008) The performance of women and men in organisations: a theatre studies approach. Gender in Management: An International Journal, 23 (7). pp. 522-527. DOI https://doi.org/10.1108/17542410810908866

Biehl-Missal, B and Saren, M (2012) Atmospheres of Seduction: A Critique of Aesthetic Marketing Practices. Journal of Macromarketing, 32 (2). pp. 168-180. DOI https://doi.org/10.1177/0276146711433650

Bradby, D and Finburgh, C (2011) Jean Genet. Routledge Modern and Contemporary Dramatists . Routledge, London. ISBN 9780415375047.

Burton, Andrew Charles (2023) Eco-Naturalism: re-evaluating the role of naturalism in contemporary eco-theatre. Doctoral thesis, University of Essex.

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Cockin, KM (2017) Formations, Institutions and the 'Free Theatre': Edith Craig's Pioneer Players 1911-25. Keywords: A Journal of Cultural Materialism, 15. pp. 55-71.

Cockin, KM (2018) Searching for Theatrical Ancestors at the Ellen Terry Archive. Local History News (126). p. 8.

Coldiron, Margaret (2017) Foreign Female Interventions in Traditional Asian Arts: Rebecca Teele and Cristina Formaggia. In: Women in Asian Performance Aesthetics and politics. Routledge, Oxford and New York, pp. 124-141. ISBN 9781317422235. Official URL: https://www.taylorfrancis.com/books/e/978131742224...

Coldiron, Margaret (2012) Jokasta: Transnational Performance by Balinese Artists. SPAFA Journal, 22 (2). pp. 27-44.

Coldiron, Margaret (2017) Kathy Foley. Asian Theatre Journal, 34 (1). pp. 188-205. DOI https://doi.org/10.1353/atj.2017.0010

Coldiron, Margaret (2016) Masks in traditional Asian theatre (Southeast Asia). In: Routledge Handbook of Asian Theatre. Taylor & Francis (Routledge), London, pp. 165-176. ISBN 9781317278856. Official URL: https://www.taylorfrancis.com/books/e/978131727886...

Coldiron, Margaret (2017) Review of Christina Sunardi, Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance. Edinburgh University Press.

Coldiron, Margaret (2013) Review of Japanese Theatre Transcultural: German and Italian Interweavings ed. by Stanca Scholz-Cionca and Andreas Regelsberger. University of Hawaii Press.

Coldiron, Margaret (2018) Review of Women in the Shadows: Gender, Puppets, and The Power of Tradition in Bali. Jennifer Goodlander. Ohio University Research in International Studies, Southeast Asia series no. 129. Athens: Ohio University Press, 2016; pp. 216. Johns Hopkins University Press.

Coldiron, Margaret (2007) Sendratari Yunani : Negotiating the Languages of Intercultural Performance in an Indonesian-style Greek Tragedy. Indonesia and the Malay World, 35 (101). pp. 129-140. DOI https://doi.org/10.1080/13639810701234035

Coldiron, Margaret and Palermo, Carmencita and Strawson, Tiffany (2015) Women in Balinese Topeng: Voices, Reflections, and Interactions. Asian Theatre Journal, 32 (2). pp. 464-492. DOI https://doi.org/10.1353/atj.2015.0043

Conant, A. N. (2024) Towards a theatre of new multimodal meanings : Applying second generation cognition to directorial devising practice in theatre which responds to trauma. Doctoral thesis, University of Essex.

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Finburgh, C (2010) Entries on the subjects of ?Croisements?, and ?La Vue d?ailleurs. In: No�lle Renaude, atlas alphab�tique d'un nouveau monde. Editions Th��trales, Paris. ISBN 9782842603267.

Finburgh, C (2010) External and Internal Dramaturgies: The French Context1. Contemporary Theatre Review, 20 (2). pp. 203-213. DOI https://doi.org/10.1080/10486801003682419

Finburgh, C (2015) Flora, Fauna and Fakery in the Theatre of Jean Genet. Bloomsbury Academic.

Finburgh, C (2010) Le th��tre britannique contemporain post-11 septembre 2001: du th��tre verbatim � l?all�gorie. In: Les mises en sc�ne de la guerre au XX� si�cle : Th��tre et cin�ma. Presses Universitaires de Paris Ouest, Paris, pp. 42-54. ISBN 9782847365764.

Finburgh, C (2010) The Politics of Translating Contemporary French Theatre: How 'Linguistic Translation' becomes 'Stage Translation'. In: Staging and Performing Translation Text and Theatre Practice. Palgrave-Macmillan, Basingstoke. ISBN 9780230228191.

Finburgh, C (2014) Press, Patrols and Power: The British Army in Recent UK Theatre. Double Jeu, 10. pp. 45-58.

Finburgh, C (2008) in Howard Barker?s Theatre: Object or Subject? �tudes Britanniques Contemporaines, 35. pp. 127-139.

Finburgh, C and Lavery, C (2011) Contemporary French Theatre and Performance. Palgrave Macmillan, Basingstoke; New York. ISBN 9780230580510.

Finburgh, C and Lavery, C (2011) Playwriting and Directing in France Today. In: Contemporary French Theatre and Performance. Palgrave Macmillan, Basingstoke; New York, pp. 68-79. ISBN 9780230580510.

Finburgh, Clare (2014) Entries on Jean Genet (pp. 101-6), Eugène Ionesco (pp. 116-20) and Michel Vinaver (pp. 225-30). In: Fifty Contemporary and Modern Dramatists. Routledge, London. ISBN 978-0415630368.

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Gillett, John (2014) Acting Stanislavski: A practical guide to Stanislavski’s approach and legacy. Bloomsbury Methuen Drama, London. ISBN 9781408184981. Official URL: http://www.bloomsbury.com/uk/acting-stanislavski-9... (In Press)

Gillett, John and Gutekunst, Christina (2014) Voice into Acting Integrating voice and the Stanislavski approach. Bloomsbury Methuen Drama. ISBN 9781408183564.

Gillies, J (2010) The Author's Accomplice, or the unsearchable complicities of players in the making of Elizabethan Drama. In: The Shakespearean International Yearbook: Special Section: The Achievement of Robert Weimann. Ashgate, pp. 119-141. ISBN 9781409408581.

Gillies, J (2010) "Mighty Space": The Ordinate and the Exorbitant in two Shakespeare Plays. In: Questioning Bodies in Shakespeare's Rome. Interfacing Science, Literature, and the Humanities . Unipress, Goettingen, pp. 259-274. ISBN 9783899717402.

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Hailes, Adam (2019) Rethinking pleasure in the Shakespearean playhouse. PhD thesis, University of Essex.

Hornsby, Richard A (2017) Liberating the Actor to Find the Voice of a Play An investigation into theatre directing processes used with actors to discover and articulate the authentic message of the play, with specific application to My Name is Rachel Corrie. Masters thesis, University of Essex.

Hudson, Rebekah (2020) Autobiographical theatre and the wellbeing of the performer : How a practitioner may safeguard their mental wellbeing when creating theatre which is emotionally sensitive or personal. Masters thesis, University of Essex.

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Jarrett, James (2018) Theatres of the Mind A Kleinian analysis of the plays of Harold Pinter. PhD thesis, University of Essex.

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Kingsford, Eleanor Naomi (2019) Island Rewrites: Postcolonial Caribbean, British and Irish Revisions. Masters thesis, The University of Essex.

Klich, Rosemary (2017) Amplifying Sensory Spaces: The In- and Out-Puts of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. DOI https://doi.org/10.1080/10486801.2017.1343247

Kuti, E (2014) The Broken Token. John Gielgud Studio (RADA Festival) & Theatre Royal, Bury St Edmunds.

Kuti, E (2009) Dear Mr Spectator, Series 1. BBC.

Kuti, E (2010) Dear Mr Spectator, Series 2. BBC.

Kuti, E (2016) Encounters with the Past. Historic Royal Palaces, Hampton Court, Hampton Court, UK.

Kuti, E (2013) Fishskin Trousers. Nick Hern Books. ISBN 9781848423626.

Kuti, E (2015) Lefter Than Thou. Royal Academy of Dramatic Art playreadings series.

Kuti, E (2012) '"Strangeness Made Sense": On being a Non-Irish, Irish Playwright'. In: Irish Drama: Global and Local Perspectives. Carysfort Press, Dublin. ISBN 9781904505-631.

Kuti, E (2015) Time Plays. Historic Royal Palaces, Hampton Court, Hampton Court, UK.

Kuti, E (2008) Tragic Plots from Bootle to Baghdad. Contemporary Theatre Review, 18 (4). pp. 457-469. DOI https://doi.org/10.1080/10486800802379599

Kuti, E (2015) United Incandescent. Rehearsed reading, Old Red Lion Theatre Pub, London.

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Lavery, C and Finburgh, C (2015) Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. Bloomsbury Academic.

Lichtenstein, J (2011) Darkness. Edinburgh Festival.

Lichtenstein, J (2009) Requiem. Theatre Royal Bury St Edmunds.

Lichtenstein, J (2011) Yarico and Inkle. New Wolsey Theatre, Ipswich.

Littau, Karin (1993) Performing Translation. Theatre Research International, 18 (1). pp. 53-60. DOI https://doi.org/10.1017/s0307883300017570

Littau, Karin (1995) Refractions of the Feminine: The Monstrous Transformations of Lulu. MLN, 110 (4). pp. 888-912. DOI https://doi.org/10.1353/mln.1995.0075

Littau, Karin (2005) Serial Translation: Angela Carter's New Reading of Pabst's Wedekind's Lulu. Comparative Critical Studies, 2 (1). pp. 45-65. DOI https://doi.org/10.3366/ccs.2005.2.1.45

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Maxwell, Glyn (2013) Cyrano De Bergerac. Oberon Books. ISBN 9781783190331. Official URL: http://oberonbooks.com/cyrano-de-bergerac-1363

Maxwell, Glyn (2012) Masters Are You Mad? The Search for Malvolio. Oberon. ISBN 9781849434072. Official URL: http://oberonbooks.com/masters-are-you-mad

Maxwell, Glyn and Bedford, Luke (2011) Seven Angels. Oberon. ISBN 9781849430791. Official URL: http://oberonbooks.com/seven-angels

Mazzilli, M (2015) Desiring the Bodies of Ruan Lingyu and Linda Lin Dai. In: Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Bridge21 Publications, Los Angeles. ISBN 978-1626430105.

Mazzilli, Mary (2015) Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre. Methuen Drama, London, England. ISBN 9781472591609. Official URL: https://www.bloomsbury.com/uk/gao-xingjians-post-e...

Mazzilli, Mary (2015) Gender in Gao Xingjian's Between Life and Death: The Notion of Originary Self and the Use of Tripartition. Frontiers of Literary Studies in China, 9 (3). pp. 369-394. DOI https://doi.org/10.3868/s010-004-015-0018-2

Midhin, Majeed Mohammed (2017) The Artist as a Dramatic Character in Contemporary British Drama: A Critical Study of Stoppard, Barker and Wertenbaker. PhD thesis, University of Essex.

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Onyeisi, Rene (2020) Criminal Justice in British Playwriting and Theatre Practice, 1979-2017. PhD thesis, University of Essex.

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Peakii, Young (2014) Dream Pillow. Nick Hern Books. ISBN 978-1502795649.

Prichard, Rebecca (2010) LICA Research Seminar: Rebecca Prichard on Creating Alternative Realities: Applied Drama and Playwriting with Females Survivors of Violence. [Show/Exhibition]

Prichard, Rebecca (2012) Parallax. Almeida Festival 2012.

Prichard, Rebecca (2012) Porn Etc. Lakeside Theatre.

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Rubin, L (1981) The Nicholas Nickleby story the making of the historic Royal Shakespeare Company production. Heinemann Educational Books. ISBN 978-0434655311.

Rubin, L and Sedana, IN (2007) Performance in Bali. Routledge. ISBN 9781134324217.

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Sforza, Fabiana (2019) 10:31, MCR: a practice-as-research project that investigates ethical dramaturgical approaches to politically sensitive theatre-making with and for young people. Masters thesis, University of Essex.

Shambhu, S and Lichtenstein, J (2017) My Inside Playground. Lakeside Theatre, University of Essex.

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Tames, Elizabeth A (2016) Playing Monopoly: Actor/Manager Robert William Elliston (1774–1831) and the Struggle for a Free Stage in London 1802–32. PhD thesis, University of Essex.

Todd, Finn E A (2019) Headphone Theatre (performances & experiences): a practitioner’s manipulation of proximity, aural attention and the resulting effect of paranoia. Masters thesis, University of Essex.