Tymkiw, Michael (2019) Floor Mosaics, Romanità, and Spectatorship: The Foro Mussolini’s Piazzale dell’Impero. The Art Bulletin, 101 (2). pp. 109-132. DOI https://doi.org/10.1080/00043079.2019.1527644
Tymkiw, Michael (2019) Floor Mosaics, Romanità, and Spectatorship: The Foro Mussolini’s Piazzale dell’Impero. The Art Bulletin, 101 (2). pp. 109-132. DOI https://doi.org/10.1080/00043079.2019.1527644
Tymkiw, Michael (2019) Floor Mosaics, Romanità, and Spectatorship: The Foro Mussolini’s Piazzale dell’Impero. The Art Bulletin, 101 (2). pp. 109-132. DOI https://doi.org/10.1080/00043079.2019.1527644
Abstract
The concept of romanità (Romanness) is used as a framework for exploring the modes of spectatorship elicited by the floor mosaics from the Foro Mussolini’s Piazzale dell’Impero, a space designed by Luigi Moretti and inaugurated in 1937. While the piazzale’s floor mosaics clearly evoked the formal features of ancient Roman pavements, they also resulted in a kinesthetic viewing experience that recalled such precedents. What made this viewing experience ideologically productive was the particular way Moretti used the mosaics to move spectators, both physically and affectively, in hopes of heightening their sense of engagement with Fascist Italy’s pursuit of empire.
Item Type: | Article |
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Subjects: | N Fine Arts > NK Decorative arts Applied arts Decoration and ornament |
Divisions: | Faculty of Humanities Faculty of Humanities > Philosophy and Art History, School of |
SWORD Depositor: | Unnamed user with email elements@essex.ac.uk |
Depositing User: | Unnamed user with email elements@essex.ac.uk |
Date Deposited: | 06 Jun 2019 11:28 |
Last Modified: | 06 Jan 2022 13:48 |
URI: | http://repository.essex.ac.uk/id/eprint/21679 |