Blackmore, Lisa (2018) Original Copies and Obscure Traces: Ángela Bonadies' Metaphotographic Inquiries. In: The Matter of Photography in the Americas. Stanford University Press, 92 - 93. Official URL: https://www.sup.org/books/title/?id=29737
Blackmore, Lisa (2018) Original Copies and Obscure Traces: Ángela Bonadies' Metaphotographic Inquiries. In: The Matter of Photography in the Americas. Stanford University Press, 92 - 93. Official URL: https://www.sup.org/books/title/?id=29737
Blackmore, Lisa (2018) Original Copies and Obscure Traces: Ángela Bonadies' Metaphotographic Inquiries. In: The Matter of Photography in the Americas. Stanford University Press, 92 - 93. Official URL: https://www.sup.org/books/title/?id=29737
Abstract
Pressing at the boundaries of what defines culturally specific, photography-centric artwork, this book looks at how artists from across the Americas work with and through photography as a critical tool. My contribution to the book focuses on the Venezuelan artist Ángela Bonadies.
Item Type: | Book Section |
---|---|
Uncontrolled Keywords: | Art, Photography, Latin America, Ángela Bonadies |
Subjects: | T Technology > TR Photography |
Divisions: | Faculty of Humanities > Philosophy and Art History, School of |
Depositing User: | Unnamed user with email elements@essex.ac.uk |
Date Deposited: | 20 Sep 2018 13:56 |
Last Modified: | 20 Sep 2018 14:15 |
URI: | http://repository.essex.ac.uk/id/eprint/22269 |
Available files
Filename: BLACKMORE_Bonadies-2017_REVISED NB JR_LB.pdf