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O'Brien, Daniel (2025) The Thing With Feathers: a dark but uplifting exploration of grief and despair. The Conversation, https://theconversation.com/the-thing-with-feathers-a-dark-but-uplifting-exploration-of-grief-and-despair-267466.
O'Brien, Daniel (2025) Commando at 40: Schwarzenegger’s bonanza of bullets, bad guys and biceps rewards a rewatch. The Conversation, https://theconversation.com/commando-at-40-schwarzeneggers-bonanza-of-bullets-bad-guys-and-biceps-rewards-a-rewatch-266734.
O'Brien, Daniel (2025) Robert Redford: ten great films from a brilliant career. The Conversation, https://theconversation.com/robert-redford-ten-great-films-from-a-brilliant-career-265687.
O'Brien, Daniel (2025) Arnold Schwarzenegger Screen Stars Dictionary - – Aging Stars – Fading to Dust or Shining as Stardust? Tecmerin. Revista de Ensayos Audiovisuales, 15.
O'Brien, Daniel (2025) Public Domain. Fragments: A Journal of Videographic Form and Method.
O'Brien, Daniel (2025) Back to the Future at 40: the trilogy has never been remade – let’s hope that doesn’t change. The Conversation, https://theconversation.com/back-to-the-future-at-40-the-trilogy-has-never-been-remade-lets-hope-that-doesnt-change-259725.
O'Brien, Daniel (2025) The Time-Loop: Cycles of Play and Inequality. MAST: The Journal of Media Art Study and Theory, 6 (1). pp. 144-145. DOI https://doi.org/10.59547/26911566.6.1.06
O'Brien, Daniel (2025) The Phoenician Scheme: a fun watch even though it’s the same journey in a different vehicle. The Conversation, https://theconversation.com/the-phoenician-scheme-a-fun-watch-even-though-its-the-same-journey-in-a-different-vehicle-257658.
O'Brien, Daniel (2025) Opus: clunky satire about an evil celebrity cult has plenty to say – it just doesn’t know how to say it. The Conversation, https://theconversation.com/opus-clunky-satire-about-an-evil-celebrity-cult-has-plenty-to-say-it-just-doesnt-know-how-to-say-it-252118.
O'Brien, Daniel (2025) A Complete Unknown: Chalamet’s brilliant performance captures the elusive essence of a young Dylan. The Conversation.
O'Brien, Daniel (2025) Better Man: musical biopic of Robbie Williams as performing monkey will entertain you. The Conversation.
O'Brien, Daniel (2024) Gladiator II: a wavering thumbs up for a rehashed sequel that can’t escape the ghost of Russell Crowe. The Conversation.
O'Brien, Daniel (2024) The Allure and Threat of Onscreen Computers: A Supercut of Onscreen Computers in Speculative Screen Fiction. Iluminace, 36 (2). pp. 29-40. DOI https://doi.org/10.58193/ilu.1780
O'Brien, Daniel (2024) Zoom's Performative Window: Affordances and Constraints. In: “You're Muted" Performance, Precarity, and the Logic of Zoom. Bloomsbury Academic, pp. 109-126. ISBN 9798765108246. Official URL: https://www.bloomsbury.com/uk/youre-muted-97987651... (In Press)
O'Brien, Daniel (2024) Six Robert De Niro films that explore alienation, isolation and loneliness. The Conversation.
O'Brien, Daniel (2024) Baby Reindeer and the problematic ownership of bad fans. CST Online.
O'Brien, Daniel (2024) The power of POV: five films that put you in the shoes of otherwise unrelatable characters. The Conversation.
O'Brien, Daniel (2023) Penny Marshall & The Absence of Continuity in Big and Awakenings. [Video]
O'Brien, Daniel (2023) The Time-Loop as Game Mechanic, Narrative Device and Cycle of Systemic Racism. NECSUS: European Journal of Media Studies.
O'Brien, Daniel (2023) Robert De Niro Screen Stars Dictionary. Tecmerin. Journal of Audiovisual Essays, 12.
O'Brien, Daniel (2023) Screen Sustenance: Representations of Food and Drink in Film and Media. European Journal of Public Health, 33 (S2). DOI https://doi.org/10.1093/eurpub/ckad160.079
O'Brien, Daniel (2023) Digital love: Love through the screen/of the screen. In: Love and the Politics of Intimacy Bodies, Boundaries, Liberation. Bloomsbury, pp. 111-126. ISBN 9781501387371. Official URL: https://www.bloomsbury.com/uk/love-and-the-politic...
O'Brien, Daniel (2022) Media Ownership and Digital Authenticity in Slum TV. In: Media Ownership in Africa in the Digital Age Challenges, Continuity and Change. Routledge, pp. 248-265. ISBN 9781003111924. Official URL: http://doi.org/10.4324/9781003111924-18
O'Brien, Daniel (2022) The TV dictionary and my first cuts and edits into videographic criticism. CST Online.
O'Brien, Daniel (2020) Extant’s Flatland: Disability and Postphenomenological Narrative. AModern, 10. p. 1.
O'Brien, Daniel (2020) The Pervasive and the Digital: Immersive Worlds in Four Interactive Artworks. In: Handbook of Research on Recent Developments in Internet Activism and Political Participation. IGI Global. ISBN 9781799847960. Official URL: http://doi.org/10.4018/978-1-7998-4796-0.ch005
O'Brien, Daniel (2019) Hap-Tech Narration and the Postphenomenological Film. Philosophies, 4 (3). p. 47. DOI https://doi.org/10.3390/philosophies4030047
O'Brien, Daniel (2019) John Marmysz (2017) <i>Cinematic Nihilism: Encounters, Confrontations, Overcomings</i>. Edinburgh University Press.
O'Brien, Daniel (2018) Somaster Fiction and the Avatarial Game Body. Evental Aesthetics, 7 (1). pp. 138-171.
O'Brien, Daniel (2017) The pervasive and the digital. International Journal of E-Politics, 8 (3). pp. 30-41. DOI https://doi.org/10.4018/ijep.2017070103
O'Brien, Daniel (2017) Postphenomenological performance in interactive narrative. International Journal of E-Politics, 8 (2). pp. 40-55. DOI https://doi.org/10.4018/ijep.2017040104
O'Brien, Daniel (2017) Postphenomenological performance: bodily extensions in interactive art. International Journal of Performance Arts and Digital Media, 13 (2). pp. 120-136. DOI https://doi.org/10.1080/14794713.2017.1351658