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Article
O'Brien, Daniel (2024) The Allure and Threat of Onscreen Computers: A Supercut of Onscreen Computers in Speculative Screen Fiction. Iluminace, 36 (2). pp. 29-40. DOI https://doi.org/10.58193/ilu.1780
O'Brien, Daniel (2023) The Time-Loop as Game Mechanic, Narrative Device and Cycle of Systemic Racism. NECSUS: European Journal of Media Studies.
O'Brien, Daniel (2023) Robert De Niro Screen Stars Dictionary. Tecmerin. Journal of Audiovisual Essays, 12.
O'Brien, Daniel (2023) Screen Sustenance: Representations of Food and Drink in Film and Media. European Journal of Public Health, 33 (S2). DOI https://doi.org/10.1093/eurpub/ckad160.079
O'Brien, Daniel (2020) Extant’s Flatland: Disability and Postphenomenological Narrative. AModern, 10. p. 1.
O'Brien, Daniel (2019) Hap-Tech Narration and the Postphenomenological Film. Philosophies, 4 (3). p. 47. DOI https://doi.org/10.3390/philosophies4030047
O'Brien, Daniel (2018) Somaster Fiction and the Avatarial Game Body. Evental Aesthetics, 7 (1). pp. 138-171.
O'Brien, Daniel (2017) The pervasive and the digital. International Journal of E-Politics, 8 (3). pp. 30-41. DOI https://doi.org/10.4018/ijep.2017070103
O'Brien, Daniel (2017) Postphenomenological performance in interactive narrative. International Journal of E-Politics, 8 (2). pp. 40-55. DOI https://doi.org/10.4018/ijep.2017040104
O'Brien, Daniel (2017) Postphenomenological performance: bodily extensions in interactive art. International Journal of Performance Arts and Digital Media, 13 (2). pp. 120-136. DOI https://doi.org/10.1080/14794713.2017.1351658
Book Section
O'Brien, Daniel (2024) Zoom's Performative Window: Affordances and Constraints. In: “You're Muted" Performance, Precarity, and the Logic of Zoom. Bloomsbury Academic, pp. 109-126. ISBN 9798765108246. Official URL: https://www.bloomsbury.com/uk/youre-muted-97987651... (In Press)
O'Brien, Daniel (2023) Digital love: Love through the screen/of the screen. In: Love and the Politics of Intimacy Bodies, Boundaries, Liberation. Bloomsbury, pp. 111-126. ISBN 9781501387371. Official URL: https://www.bloomsbury.com/uk/love-and-the-politic...
O'Brien, Daniel (2022) Media Ownership and Digital Authenticity in Slum TV. In: Media Ownership in Africa in the Digital Age Challenges, Continuity and Change. Routledge, pp. 248-265. ISBN 9781003111924. Official URL: http://doi.org/10.4324/9781003111924-18
O'Brien, Daniel (2020) The Pervasive and the Digital: Immersive Worlds in Four Interactive Artworks. In: Handbook of Research on Recent Developments in Internet Activism and Political Participation. IGI Global. ISBN 9781799847960. Official URL: http://doi.org/10.4018/978-1-7998-4796-0.ch005
Video
O'Brien, Daniel (2023) Penny Marshall & The Absence of Continuity in Big and Awakenings. [Video]
Other
O'Brien, Daniel (2025) A Complete Unknown: Chalamet’s brilliant performance captures the elusive essence of a young Dylan. The Conversation.
O'Brien, Daniel (2025) Better Man: musical biopic of Robbie Williams as performing monkey will entertain you. The Conversation.
O'Brien, Daniel (2024) Gladiator II: a wavering thumbs up for a rehashed sequel that can’t escape the ghost of Russell Crowe. The Conversation.
O'Brien, Daniel (2024) Six Robert De Niro films that explore alienation, isolation and loneliness. The Conversation.
O'Brien, Daniel (2024) Baby Reindeer and the problematic ownership of bad fans. CST Online.
O'Brien, Daniel (2024) The power of POV: five films that put you in the shoes of otherwise unrelatable characters. The Conversation.
O'Brien, Daniel (2022) The TV dictionary and my first cuts and edits into videographic criticism. CST Online.
O'Brien, Daniel (2019) John Marmysz (2017) <i>Cinematic Nihilism: Encounters, Confrontations, Overcomings</i>. Edinburgh University Press.