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Number of items at this level: 111.

A

Ades, Dawn (2012) The Age of Coal. In: MANIFESTA 9 The Deep of the Modern - A Subcyclopaedia. Silvana Editoriale. ISBN 9788836623266

Atkinson, Victoria (2017) Unravelling the Musical in Art: Matisse, his music and his textiles. PhD thesis, University of Essex.

B

Bahun, S (2009) "The Feminist Gaze: Looking Back and Across the Landscape of Myth". In: From Word to Canvas: Appropriations of Myth in Women?s Aesthetic Production. Cambridge Scholars, 1 - 7. ISBN 9781443805377

Bahun, Sanja (2018) Gaps, Or the Dialectics of Inter-imperial Art: The Case of the Belgrade Surrealist Circle. MFS: Modern Fiction Studies, 64 (3). pp. 458-487. DOI https://doi.org/10.1353/mfs.2018.0038

Bailey, M (2015) Changing Tides of Industrial Democracy: Tales from the Shipyard. James Dodds Exhibition Catalogue (Messum's/Studio Publications).

Bannister, Stephanie Anne (2018) The found object and the presentation of everyday life. Masters thesis, University of Essex.

Barker, Alison (2022) Dissolving the Alps: The Visual Dissemination of Saint George 1400-1550. PhD thesis, University of Essex.

Biehl-Missal, B (2013) Art, Fashion, and Anti-consumption. Journal of Macromarketing.

Bilbao Yarto, Ana E (2017) Swimming Upstream: Small Visual Art Organisations (SVAOs) in the Midst of the Ethical Turn, 1990-2016. PhD thesis, University of Essex.

Blackmore, LM (2018) Ruinas modernas y arte contemporáneo: El caso de El Helicoide de la Roca Tarpeya. Cuadernos de Literatura, 21 (42). DOI https://doi.org/10.11144/Javeriana.cl21-42.rmac

Blackmore, Lisa (2018) Colonizing Flow: Hydropower and Post-Kinetic Assemblages in the Orinoco Basin. In: Natura: Environmental Aesthetics After Landscape. Denkt Kunst . diaphanes / University of Chicago Press.

Bowman, Matthew (2012) MIND YOUR HEAD: On Speculative Research for the Public in Elaine Tribley. In: Market Project. Market Project, London.

Bowman, Matthew (2012) On (Not) Seeing Mirrors, or, Is There a Mirror in this Exhibition? In: Seeking Beyond the Surface. Art Exchange, University of Essex, Colchester, pp. 8-11.

Bowman, Matthew (2012) Rosalind Krauss. In: Fifty Key Writers on Photography. Routledge Key Guides . Routledge. ISBN 9780415549448

Bowman, Matthew (2014) Shapes of time: melancholia, anachronism, and de-distancing. In: Heidegger and the Work of Art History. Ashgate. ISBN 9781409456131 (In Press)

C

Carrabine, Eamonn (2018) Punishment in the Frame: Rethinking the History and Sociology of Art. Sociological Review, 66 (3). pp. 559-576. DOI https://doi.org/10.1177/0038026117705031

Carrabine, Eamonn (2018) Reading a “Titian”: Visual Methods and the Limits of Interpretation. Deviant Behavior, 39 (4). pp. 525-538. DOI https://doi.org/10.1080/01639625.2017.1407113

Casey Benyahia, Sarah (2019) Lives in Limbo: Memory, History, and Entrapment in the Temporal Gateway Film. PhD thesis, University of Essex.

Chryssouli, Georgia (2019) The Alchemist of the Surreal and the Uncanny Valley: Jan Švankmajer, the puppet and eerie animation. PhD thesis, University of Essex.

Collier, Christopher (2017) A Transformative Morphology of the Unique: Situating Psychogeography's 1990s Revival. PhD thesis, University of Essex.

Costa Söderlund, Kalinca (2018) Modernismo and Patronage in Brazil, 1917-1949: the National versus the International. PhD thesis, University of Essex.

Cox, Neil (2010) The Picasso Book. Tate Publishing, London. ISBN 9781854378439

Cox, Neil (2009) Picasso's 'Toys for Adults': Cubism as Surrealism, The 2008 Watson Gordon Lecture. National Galleries of Scotland/University of Edinburgh/VARIE, Edinburgh. ISBN 978-1906270261

Crowley, Michelle (2017) The Extraordinary in the Ordinary. Masters thesis, University of Essex.

D

Di Giuseppantonio Di Franco, Paola and Camporesi, Carlo and Galeazzi, Fabrizio and Kallmann, Marcelo (2015) 3D Printing and Immersive Visualization for Improved Perception of Ancient Artifacts. Presence: Teleoperators and Virtual Environments, 24 (3). pp. 243-264. DOI https://doi.org/10.1162/pres_a_00229

Di Giuseppantonio Di Franco, Paola and Matthews, Justin L and Matlock, Teenie (2016) Framing the past: How virtual experience affects bodily description of artefacts. Journal of Cultural Heritage, 17. pp. 179-187. DOI https://doi.org/10.1016/j.culher.2015.04.006

Di Giuseppantonio Di Franco, Paola and Winterbottom, Mark and Galeazzi, Fabrizio and Gogan, Mike (2019) Ksar Said: Building Tunisian young people's critical engagement with their heritage. Sustainability, 11 (5). p. 1373. DOI https://doi.org/10.3390/su11051373

Dymock, A and Lodder, M (2016) 'The Erotics of Injury: Remembering Operation Spanner Workshops', 10&11 September 2015, University of Essex and Royal Holloway, University of London. Porn Studies, 3 (3). pp. 320-323. DOI https://doi.org/10.1080/23268743.2016.1148334

F

Flood, C and Grindon, G (2014) Disobedient Objects. [Show/Exhibition]

Flood, Catherine and Grindon, Gavin (2014) Disobedient Objects. In: UNSPECIFIED Victoria & Albert Museum. ISBN 9781784530303

Fyrich, W and Grindon, G (2014) Lives of the Orange Men A Biographical History of the Polish Orange Alternative Movement. Autonomedia. ISBN 9781570272691

G

Galeazzi, Fabrizio and Di Giuseppantonio Di Franco, Paola and Matthews, Justin L (2015) Comparing 2D pictures with 3D replicas for the digital preservation and analysis of tangible heritage. Museum Management and Curatorship, 30 (5). pp. 462-483. DOI https://doi.org/10.1080/09647775.2015.1042515

Garland, Shelley (2021) “He must look upon it as his child – and a most promising one it is.” Earl de Grey and the creation of his house at Wrest Park. PhD thesis, University of Essex.

Gerdes, B and Grindon, G and Nunes, R (2010) Protests past and protest futures: a critical conversation about the state of protest and cultural composition. The Journal of Aesthetics and Protest, 7.

Giebelhausen, Michaela (2013) After Word, Thought, Life: A Stroll in Parisian Parks. Open Arts Journal, 2 (2). DOI https://doi.org/10.5456/issn.2050-3679/2013w18mg

Gilman-Opalsky, Richard and Shukaitis, Stevphen (2018) Spectral Compositions in a Time of Revolt. ASAP/Journal, 3 (2). pp. 313-331. DOI https://doi.org/10.1353/asa.2018.0028

Grindon, G (2010) Alchemist of the revolution: the affective materialism of Georges Bataille. Third Text, 24 (3). pp. 305-317. DOI https://doi.org/10.1080/09528821003799445

Grindon, G (2010) Art and activism. Art Monthly, 333. pp. 9-12.

Grindon, G (2010) Bike Bloc stories. Groundswell (1). pp. 2-12.

Grindon, G (2004) Carnival against capital: a comparison of Bakhtin, Vaneigem and Bey. Anarchist Studies, 12 (2). pp. 147-161.

Grindon, G (2009) Class struggle in the graveyard? Art-activism and art institutions. KIOSK (3). pp. 74-78.

Grindon, G (2015) The Museum of Cruel Designs. In: Dismaland Bemusement Park, Catalogue. Dismaland.

Grindon, G (2013) Revolutionary Romanticism: Henri Lefebvre's revolution-as-festival. Third Text, 27 (2). pp. 208-220. DOI https://doi.org/10.1080/09528822.2013.772348

Grindon, G (2009) Second-wave situationism? Fifth Estate (350). 11, 50-51.

Grindon, G (2011) Surrealism, Dada and the refusal of work: autonomy, activism and social participation in the radical Avant-Garde. Oxford Art Journal, 34 (1). pp. 79-96. DOI https://doi.org/10.1093/oxartj/kcr003

Grindon, G (2007) The breath of the possible. In: Constituent imagination: militant investigations, collective theorization. AK Press, 94 - 107. ISBN 9781904859352

Grindon, Gavin (2015) Fantasies of participation: The situationist imaginary of new forms of labour in art and politics. Nordic Journal of Aesthetics, 24 (49-50). pp. 62-90. DOI https://doi.org/10.7146/nja.v24i49-50.23316

Grindon, Gavin (2015) Poetry Written in Gasoline: Black Mask and Up Against the Wall Motherfucker. Art History, 38 (1). pp. 170-209. DOI https://doi.org/10.1111/1467-8365.12129

H

Hersov, Mary (2017) The temporary exhibition galleries in the Sainsbury Wing, National Gallery: commission, design and outcome. PhD thesis, University of Essex.

Hodges, C H (2018) "I am a Princess" Foster care, Therapy, Art. Masters thesis, University of Essex.

Humphreys, Samantha (2016) The Visual Representation of Self in the Social Media Era. Masters thesis, University of Essex.

I

Ismahasan, Biung (2021) Indigenous relational space and performance: curating together towards sovereignty in Taiwan and beyond. PhD thesis, University of Essex.

Iversen, MD (2012) ‘Index, Diagram, Graphic Trace,’. Tate Papers, 18.

J

Jarvis, L (2017) Creating in the Dark: Conceptualizing Different Darknesses in Contemporary Practice. In: Theatre in the Dark Shadow, Gloom and Blackout in Contemporary Theatre. Bloomsbury Methuen Drama, 88 - 112. ISBN 9781474251198

Jarvis, Liam (2017) The Ethics of Mislocalized Selfhood: Proprioceptive Drifting Towards the Virtual Other. Performance Research, 22 (4). pp. 30-37. DOI https://doi.org/10.1080/13528165.2017.1348587

Jarvis, Liam (2017) Time-sculptures of Terrifying Ambiguity: Staging Inner Space and Migrating Realities in Analogue's Living Film Set. International Journal of Performance Arts and Digital Media, 13 (1). pp. 21-38. DOI https://doi.org/10.1080/14794713.2017.1296713

K

Klich, Rosemary (2017) Amplifying Sensory Spaces: The In- and Out-Puts of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. DOI https://doi.org/10.1080/10486801.2017.1343247

Klich, Rosemary (2019) Visceral Dramaturgies: Curating Sensation in Immersive Art. Body, Space and Technology, 18 (1). pp. 175-197. DOI https://doi.org/10.16995/bst.319

L

Lax, Annecy (2022) Conscience and Consciousness: British Theatre and Human Rights. PhD thesis, University of Essex.

Lepine, A (2015) Anglo-American Modern Gothic: A. W. N. Pugin?s Impact on Ralph Adams Cram. The Pugin Society.

Lepine, A (2012) Conversation: ?Japanist Fantasies: Ayla Lepine in Conversation with Christopher Reed'. immediations, 3 (1).

Lepine, A (2012) On the Founding of Watts & Co, 1874. Branch.

Lepine, A (2015) Victorian Revivals. Apollo, 181 (628). pp. 54-59.

Lepine, A and Lodder, M and McKever, R (2015) Revival: Memories, Identities, Utopias. The Courtauld Institute of Art, London. ISBN 978-1-907485-04-6

Lodder, M (2012) Foreword in Goblin Market. In: Goblin Market - Irish New Contemporary Art. White Lady Art Books. ISBN 978-0-9573223-0-1

Lodder, M (2011) The Myth of the Modern Primitive. European Journal of American Culture, 30 (2). pp. 99-111. DOI https://doi.org/10.1386/ejac.30.2.99_1

Lodder, M (2015) The New Old Style: Tradition, Archetype and Rhetoric in Contemporary Western Tattooing. In: Revival: Memories, Identities, Utopias. The Courtauld Institute of Art. ISBN 978-1-907485-04-6

Lodder, M (2015) Nostalgia. In: Revival: Memories, Identities, Utopias. The Courtauld Institute of Art. ISBN 978-1-907485-04-6

Lodder, M (2024) Tattoo: An Art History (Forthcoming). IB Tauris. ISBN 9781780762364 (In Press)

Lodder, M (2015) ‘Things of the sea’: iconographic continuities between tattooing and handicrafts in Georgian-era maritime culture. Sculpture Journal, 24 (2). pp. 195-210. DOI https://doi.org/10.3828/sj.2015.24.2.5

Lodder, M (2009) A somatechnological paradigm: How do you make yourself a body without organs? In: Somatechnics: Queering the Technologisation of Bodies. UNSPECIFIED, 187 - 206. ISBN 9780754675303

Lu, K (2018) Teaching Jung in the Academy: the representation of comic book heroes on the big screen. In: UNSPECIFIED Routledge. (In Press)

M

Martinez, JL and Tymkiw, M (2007) On the Need to Consume: An Interview with Manthia Diawara. Chicago Art Journal, 17. pp. 112-127.

Merritt, Frazer and Merritt, Dennis and Lu, Kevin (2018) A Jungian Interpretation of the Hunger Games: a myth that defines our times. Jung Journal, 12 (3). pp. 26-44. DOI https://doi.org/10.1080/19342039.2018.1478558

Miller, Maxine (2019) Image, perception and the unconscious. Masters thesis, University of Essex.

Morosan, Mihail (2019) Automating Game-design and Game-agent Balancing through Computational Intelligence. PhD thesis, University of Essex.

Musgrove, Paula (2019) Costume as an active component of performance. Masters thesis, University of Essex.

O

O Dunlaing, Cliona (2021) Facets of the Crystalline: Study of a Motif 1900-2020. PhD thesis, University of Essex.

O'Brien, Daniel Paul (2017) Postphenomenological performance: bodily extensions in interactive art. International Journal of Performance Arts and Digital Media, 13 (2). pp. 120-136. DOI https://doi.org/10.1080/14794713.2017.1351658

O'Brien, Daniel Paul (2017) The pervasive and the digital. International Journal of E-Politics, 8 (3). pp. 30-41. DOI https://doi.org/10.4018/ijep.2017070103

P

Peake, Jak and McMahon, Wendy (2019) American Networks: Radicals under the Radar (1840–1968). Comparative American Studies: An International Journal, 15 (3-4). pp. 99-116. DOI https://doi.org/10.1080/14775700.2017.1553768

Pearson, C (2013) EUtopia? The European Union and the Parlamentarium in Brussels. City, 17 (5). pp. 636-653. DOI https://doi.org/10.1080/13604813.2013.827862

Pearson, C (2016) Paul Mellon Centre Rome Fellowship: The renaissance of the Renaissance? Architecture and urbanism between Italy and England. Papers of the British School at Rome, 84. pp. 344-345. DOI https://doi.org/10.1017/S0068246216000301

Pearson, CW (2020) Humourless Laughter and Classical Architecture: Bruno Zevi on Leon Battista Alberti. Albertiana, XXIII (2). pp. 241-262. DOI https://doi.org/10.19272/202012702013

Pearson, Caspar (2017) The Imaginative Struggles of Europe. City, 21 (3-4). pp. 348-366. DOI https://doi.org/10.1080/13604813.2017.1325640

Presciutti, Diana Bullen (2015) Domesticating Cannibalism: Visual Rhetorics of Madness and Maternal Infanticide in Fifteenth-Century Italy. Journal of Medieval and Early Modern Studies, 45 (1). pp. 159-195. DOI https://doi.org/10.1215/10829636-2830064

Presciutti, Diana Bullen (2017) Introduction: Confraternal Spaces. In: Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City. Art and material culture in medieval and Renaissance Europe, 8 . Brill, 1 - 18. ISBN 9789004292970

Presciutti, Diana Bullen (2017) Space, Place and Motion, Locating Confraternities in the Late Medieval and Early Modern City. Art and material culture in medieval and Renaissance Europe, 8 . Brill, Leiden & Boston. ISBN 9789004292970

Presciutti, Diana Bullen (2015) Visual cultures of foundling care in renaissance Italy. Routledge. ISBN 978-1-4724-5765-3

Presciutti, Diana Bullen (2015) A most beautiful brawl: Beholding splendor and carnage in renaissance Italy. Artibus et Historiae, 72 (72). pp. 63-83.

R

Rajan, VGJ and Bahun, S (2009) From Word to Canvas: Appropriations of Myth in Women?s Aesthetic Production. Cambridge Scholars, Cambridge. ISBN 9781443805377

Rose, Rebecca (2016) The evolution of the private art museum in Mexico. PhD thesis, University of Essex.

Ruiz-Gómez, Natasha (2016) Against the grain: Rodin's experiments with paper. In: Ecstasies: Drawings by Auguste Rodin. National Gallery of Denmark [Statens Museum for Kunst], 171 - 202.

Ruiz-Gómez, Natasha (2006) Essence and Evanescence in the Hands of Rodin. Thresholds, 31 (31). pp. 103-109. DOI https://doi.org/10.1162/thld_a_00275

Ruiz-Gómez, Natasha (2006) The (Jean) Nouvel Other: Primitivism and the Musée du Quai Branly. Modern & Contemporary France, 14 (4). pp. 417-432. DOI https://doi.org/10.1080/09639480600956506

Ruiz-Gómez, Natasha (2017) Shaking the Tyranny of the Cadaver: Doctor Paul Richer and the Living Écorché. In: Bodies Beyond Borders: Moving Anatomies, 1750-1950. Leuven University Press, 231 - 257. ISBN 978 94 6270 094 9

S

Samuels, A (2016) Foreword. In: UNSPECIFIED UNSPECIFIED, xi - xvii. ISBN 978-3-89955-442-7

Shambhu, S and Lichtenstein, J (2017) My Inside Playground. Lakeside Theatre, University of Essex.

Son, Byoungsung (2018) Floristry and fine art — a practical and conceptual investigation. Masters thesis, University of Essex.

T

Tymkiw, M (2013) Art to the Worker! National Socialist Fabrikausstellungen, Slippery Household Goods and Volksgemeinschaft. Journal of Design History, 26 (4). pp. 362-380. DOI https://doi.org/10.1093/jdh/eps060

Tymkiw, M (2007) Debunking the myth of the saubere Wehrmacht. Word & Image, 23 (4). pp. 485-492. DOI https://doi.org/10.1080/02666286.2007.10435801

Tymkiw, M (2016) Engaged Spectatorship: On the Relationship between Non-Museum Exhibitions and Museums in National Socialist Germany. In: Museen im Nationalsozialismus: Akteure - Orte - Politik. Böhlau, 161 - 176. ISBN 978-3412224080

Tymkiw, M (2007) Pictorially Transcribing Music: The Wagner Lithographs of Henri Fantin-Latour and Odilon Redon. In: Looking and Listening in Nineteenth-Century France. University of Chicago Press, 50 - 59. ISBN 9780935573442

Tymkiw, M (2006) Word and Image / Resemblance and Similitude - René Magritte: The Key to Dreams. Chicago Art Journal, 16.

Tymkiw, Michael (2015) Den Körper spielerisch erkunden. Die Ausstellung Das Wunder des Lebens 1935 in Berlin und ihr Nachleben. In: Erkenne Dich selbst! Böhlau Verlag, 320 - 342. ISBN 978-3-412-22380-9

V

Varas Ibarra, Ana C (2020) Overcoming the State of Oblivion: Decolonial Approaches within Engaged Art Practices. PhD thesis, University of Essex.

W

Warner, Marina (2010) The Transatlantic Cable. Parkett, 87. pp. 22-33.

Waschneck, Katja (2018) Screening OULIPO : From Potential Literature to Potential Film. PhD thesis, University of Essex.

Wetton, Danielle (2018) Do ̶N̶o̶t̶ Enter, Do ̶N̶o̶t̶ Touch. Masters thesis, University of Essex.

Wilson, L and Bryant, W and Reynolds, F and Lawson, J (2015) Therapeutic outcomes in a museum? ?You don't get them by aiming for them?. How a focus on arts participation promotes inclusion and well-being. Arts & Health, 7 (3). pp. 202-215. DOI https://doi.org/10.1080/17533015.2015.1046891

Z

Zhu, Xinwei (2017) The Enchanted Image: The Transforming Imagination of Alice’s Adventures in Wonderland Through Material Practice and Media Technology. PhD thesis, University of Essex.

This list was generated on Thu Jun 8 20:21:27 2023 BST.