Items where Subject is "N Fine Arts > NX Arts in general"

Article

Bahun, Sanja (2018) Gaps, Or the Dialectics of Inter-imperial Art: The Case of the Belgrade Surrealist Circle. MFS: Modern Fiction Studies, 64 (3). pp. 458-487. DOI https://doi.org/10.1353/mfs.2018.0038

Biehl-Missal, B (2013) Art, Fashion, and Anti-consumption. Journal of Macromarketing.

Blackmore, LM (2018) Ruinas modernas y arte contemporáneo: El caso de El Helicoide de la Roca Tarpeya. Cuadernos de Literatura, 21 (42). DOI https://doi.org/10.11144/Javeriana.cl21-42.rmac

Carrabine, Eamonn (2018) Punishment in the Frame: Rethinking the History and Sociology of Art. Sociological Review, 66 (3). pp. 559-576. DOI https://doi.org/10.1177/0038026117705031

Carrabine, Eamonn (2018) Reading a “Titian”: Visual Methods and the Limits of Interpretation. Deviant Behavior, 39 (4). pp. 525-538. DOI https://doi.org/10.1080/01639625.2017.1407113

Di Giuseppantonio Di Franco, Paola and Camporesi, Carlo and Galeazzi, Fabrizio and Kallmann, Marcelo (2015) 3D Printing and Immersive Visualization for Improved Perception of Ancient Artifacts. Presence: Teleoperators and Virtual Environments, 24 (3). pp. 243-264. DOI https://doi.org/10.1162/pres_a_00229

Di Giuseppantonio Di Franco, Paola and Matthews, Justin L and Matlock, Teenie (2016) Framing the past: How virtual experience affects bodily description of artefacts. Journal of Cultural Heritage, 17. pp. 179-187. DOI https://doi.org/10.1016/j.culher.2015.04.006

Di Giuseppantonio Di Franco, Paola and Winterbottom, Mark and Galeazzi, Fabrizio and Gogan, Mike (2019) Ksar Said: Building Tunisian young people's critical engagement with their heritage. Sustainability, 11 (5). p. 1373. DOI https://doi.org/10.3390/su11051373

Dymock, A and Lodder, M (2016) 'The Erotics of Injury: Remembering Operation Spanner Workshops', 10&11 September 2015, University of Essex and Royal Holloway, University of London. Porn Studies, 3 (3). pp. 320-323. DOI https://doi.org/10.1080/23268743.2016.1148334

Galeazzi, Fabrizio and Di Giuseppantonio Di Franco, Paola and Matthews, Justin L (2015) Comparing 2D pictures with 3D replicas for the digital preservation and analysis of tangible heritage. Museum Management and Curatorship, 30 (5). pp. 462-483. DOI https://doi.org/10.1080/09647775.2015.1042515

Gerdes, B and Grindon, G and Nunes, R (2010) Protests past and protest futures: a critical conversation about the state of protest and cultural composition. The Journal of Aesthetics and Protest, 7.

Giebelhausen, Michaela (2013) After Word, Thought, Life: A Stroll in Parisian Parks. Open Arts Journal, 2 (2). DOI https://doi.org/10.5456/issn.2050-3679/2013w18mg

Gilman-Opalsky, Richard and Shukaitis, Stevphen (2018) Spectral Compositions in a Time of Revolt. ASAP/Journal, 3 (2). pp. 313-331. DOI https://doi.org/10.1353/asa.2018.0028

Grindon, G (2010) Alchemist of the revolution: the affective materialism of Georges Bataille. Third Text, 24 (3). pp. 305-317. DOI https://doi.org/10.1080/09528821003799445

Grindon, G (2010) Art and activism. Art Monthly, 333. pp. 9-12.

Grindon, G (2010) Bike Bloc stories. Groundswell (1). pp. 2-12.

Grindon, G (2004) Carnival against capital: a comparison of Bakhtin, Vaneigem and Bey. Anarchist Studies, 12 (2). pp. 147-161.

Grindon, G (2009) Class struggle in the graveyard? Art-activism and art institutions. KIOSK (3). pp. 74-78.

Grindon, G (2013) Revolutionary Romanticism: Henri Lefebvre's revolution-as-festival. Third Text, 27 (2). pp. 208-220. DOI https://doi.org/10.1080/09528822.2013.772348

Grindon, G (2009) Second-wave situationism? Fifth Estate (350). 11, 50-51.

Grindon, G (2011) Surrealism, Dada and the refusal of work: autonomy, activism and social participation in the radical Avant-Garde. Oxford Art Journal, 34 (1). pp. 79-96. DOI https://doi.org/10.1093/oxartj/kcr003

Grindon, Gavin (2015) Fantasies of participation: The situationist imaginary of new forms of labour in art and politics. Nordic Journal of Aesthetics, 24 (49-50). pp. 62-90. DOI https://doi.org/10.7146/nja.v24i49-50.23316

Grindon, Gavin (2015) Poetry Written in Gasoline: Black Mask and Up Against the Wall Motherfucker. Art History, 38 (1). pp. 170-209. DOI https://doi.org/10.1111/1467-8365.12129

Iversen, MD (2012) ‘Index, Diagram, Graphic Trace,’. Tate Papers, 18.

Jarvis, Liam (2017) The Ethics of Mislocalized Selfhood: Proprioceptive Drifting Towards the Virtual Other. Performance Research, 22 (4). pp. 30-37. DOI https://doi.org/10.1080/13528165.2017.1348587

Jarvis, Liam (2017) Time-sculptures of Terrifying Ambiguity: Staging Inner Space and Migrating Realities in Analogue's Living Film Set. International Journal of Performance Arts and Digital Media, 13 (1). pp. 21-38. DOI https://doi.org/10.1080/14794713.2017.1296713

Klich, Rosemary (2017) Amplifying Sensory Spaces: The In- and Out-Puts of Headphone Theatre. Contemporary Theatre Review, 27 (3). pp. 366-378. DOI https://doi.org/10.1080/10486801.2017.1343247

Klich, Rosemary (2019) Visceral Dramaturgies: Curating Sensation in Immersive Art. Body, Space and Technology, 18 (1). pp. 175-197. DOI https://doi.org/10.16995/bst.319

Lepine, A (2012) Conversation: ?Japanist Fantasies: Ayla Lepine in Conversation with Christopher Reed'. immediations, 3 (1).

Lepine, A (2012) On the Founding of Watts & Co, 1874. Branch.

Lepine, A (2015) Victorian Revivals. Apollo, 181 (628). pp. 54-59.

Lodder, M (2011) The Myth of the Modern Primitive. European Journal of American Culture, 30 (2). pp. 99-111. DOI https://doi.org/10.1386/ejac.30.2.99_1

Lodder, M (2015) ‘Things of the sea’: iconographic continuities between tattooing and handicrafts in Georgian-era maritime culture. Sculpture Journal, 24 (2). pp. 195-210. DOI https://doi.org/10.3828/sj.2015.24.2.5

Martinez, JL and Tymkiw, M (2007) On the Need to Consume: An Interview with Manthia Diawara. Chicago Art Journal, 17. pp. 112-127.

Merritt, Frazer and Merritt, Dennis and Lu, Kevin (2018) A Jungian Interpretation of the Hunger Games: a myth that defines our times. Jung Journal, 12 (3). pp. 26-44. DOI https://doi.org/10.1080/19342039.2018.1478558

O'Brien, Daniel Paul (2017) Postphenomenological performance: bodily extensions in interactive art. International Journal of Performance Arts and Digital Media, 13 (2). pp. 120-136. DOI https://doi.org/10.1080/14794713.2017.1351658

O'Brien, Daniel Paul (2017) The pervasive and the digital. International Journal of E-Politics, 8 (3). pp. 30-41. DOI https://doi.org/10.4018/ijep.2017070103

Peake, Jak and McMahon, Wendy (2019) American Networks: Radicals under the Radar (1840–1968). Comparative American Studies: An International Journal, 15 (3-4). pp. 99-116. DOI https://doi.org/10.1080/14775700.2017.1553768

Pearson, C (2013) EUtopia? The European Union and the Parlamentarium in Brussels. City, 17 (5). pp. 636-653. DOI https://doi.org/10.1080/13604813.2013.827862

Pearson, C (2016) Paul Mellon Centre Rome Fellowship: The renaissance of the Renaissance? Architecture and urbanism between Italy and England. Papers of the British School at Rome, 84. pp. 344-345. DOI https://doi.org/10.1017/S0068246216000301

Pearson, CW (2020) Humourless Laughter and Classical Architecture: Bruno Zevi on Leon Battista Alberti. Albertiana, XXIII (2). pp. 241-262. DOI https://doi.org/10.19272/202012702013

Pearson, Caspar (2017) The Imaginative Struggles of Europe. City, 21 (3-4). pp. 348-366. DOI https://doi.org/10.1080/13604813.2017.1325640

Presciutti, Diana Bullen (2015) Domesticating Cannibalism: Visual Rhetorics of Madness and Maternal Infanticide in Fifteenth-Century Italy. Journal of Medieval and Early Modern Studies, 45 (1). pp. 159-195. DOI https://doi.org/10.1215/10829636-2830064

Presciutti, Diana Bullen (2015) A most beautiful brawl: Beholding splendor and carnage in renaissance Italy. Artibus et Historiae, 72 (72). pp. 63-83.

Ruiz-Gómez, Natasha (2006) Essence and Evanescence in the Hands of Rodin. Thresholds, 31 (31). pp. 103-109. DOI https://doi.org/10.1162/thld_a_00275

Ruiz-Gómez, Natasha (2006) The (Jean) Nouvel Other: Primitivism and the Musée du Quai Branly. Modern & Contemporary France, 14 (4). pp. 417-432. DOI https://doi.org/10.1080/09639480600956506

Tymkiw, M (2013) Art to the Worker! National Socialist Fabrikausstellungen, Slippery Household Goods and Volksgemeinschaft. Journal of Design History, 26 (4). pp. 362-380. DOI https://doi.org/10.1093/jdh/eps060

Tymkiw, M (2007) Debunking the myth of the saubere Wehrmacht. Word & Image, 23 (4). pp. 485-492. DOI https://doi.org/10.1080/02666286.2007.10435801

Tymkiw, M (2006) Word and Image / Resemblance and Similitude - René Magritte: The Key to Dreams. Chicago Art Journal, 16.

Warner, Marina (2010) The Transatlantic Cable. Parkett, 87. pp. 22-33.

Wilson, L and Bryant, W and Reynolds, F and Lawson, J (2015) Therapeutic outcomes in a museum? ?You don't get them by aiming for them?. How a focus on arts participation promotes inclusion and well-being. Arts & Health, 7 (3). pp. 202-215. DOI https://doi.org/10.1080/17533015.2015.1046891

Book Section

Ades, Dawn (2012) The Age of Coal. In: MANIFESTA 9 The Deep of the Modern - A Subcyclopaedia. Silvana Editoriale. ISBN 9788836623266. Official URL: http://repository.essex.ac.uk/8142/

Bahun, S (2009) "The Feminist Gaze: Looking Back and Across the Landscape of Myth". In: From Word to Canvas: Appropriations of Myth in Women?s Aesthetic Production. Cambridge Scholars, Cambridge, pp. 1-7. ISBN 9781443805377.

Blackmore, Lisa (2018) Colonizing Flow: Hydropower and Post-Kinetic Assemblages in the Orinoco Basin. In: Natura: Environmental Aesthetics After Landscape. Denkt Kunst . diaphanes / University of Chicago Press, Zurich & Chicago. ISBN 9783035800531. Official URL: https://press.uchicago.edu/ucp/books/book/distribu...

Bowman, Matthew (2012) MIND YOUR HEAD: On Speculative Research for the Public in Elaine Tribley. In: Market Project. Market Project, London. Official URL: http://www.marketproject.org.uk/book

Bowman, Matthew (2012) On (Not) Seeing Mirrors, or, Is There a Mirror in this Exhibition? In: Seeking Beyond the Surface. Art Exchange, University of Essex, Colchester, pp. 8-11. Official URL: https://www.facebook.com/pages/Seeking-Beyond-The-...

Bowman, Matthew (2012) Rosalind Krauss. In: Fifty Key Writers on Photography. Routledge Key Guides . Routledge. ISBN 9780415549448. Official URL: http://www.routledge.com/books/details/97804155494...

Bowman, Matthew (2014) Shapes of time: melancholia, anachronism, and de-distancing. In: Heidegger and the Work of Art History. Ashgate. ISBN 9781409456131. Official URL: http://www.ashgate.com/isbn/9781409456131 (In Press)

Grindon, G (2015) Disobedient Objects. In: Participation in Art and Architecture: Spaces of Participation and Occupation. I B Tauris, London, pp. 151-176. ISBN 9781784530303.

Grindon, G (2015) The Museum of Cruel Designs. In: Dismaland Bemusement Park, Catalogue. Dismaland.

Grindon, G (2007) The breath of the possible. In: Constituent imagination: militant investigations, collective theorization. AK Press, Edinburgh, UK, pp. 94-107. ISBN 9781904859352.

Jarvis, Liam (2017) Creating in the Dark: Conceptualizing Different Darknesses in Contemporary Practice. In: Theatre in the Dark Shadow, Gloom and Blackout in Contemporary Theatre. Bloomsbury Methuen Drama, London & New York, pp. 88-112. ISBN 9781474251198. Official URL: http://www.bloomsbury.com/uk/theatre-in-the-dark-9...

Lodder, M (2012) Foreword in Goblin Market. In: Goblin Market - Irish New Contemporary Art. White Lady Art Books, San Francisco. ISBN 978-0-9573223-0-1.

Lodder, M (2015) The New Old Style: Tradition, Archetype and Rhetoric in Contemporary Western Tattooing. In: Revival: Memories, Identities, Utopias. The Courtauld Institute of Art, London. ISBN 978-1-907485-04-6.

Lodder, M (2015) Nostalgia. In: Revival: Memories, Identities, Utopias. The Courtauld Institute of Art, London. ISBN 978-1-907485-04-6.

Lodder, M (2009) A Somatechnological Paradigm: How do you Make Yourself a Body without Organs? In: Somatechnics: Queering the Technologisation of Bodies. Queer Interventions . Ashgate, London, pp. 187-206. ISBN 9780754675303.

Lu, K (2018) Teaching Jung in the Academy: the representation of comic book heroes on the big screen. In: UNSPECIFIED Routledge, London and New York. ISBN 9781317213109. (In Press)

Presciutti, Diana Bullen (2017) Introduction: Confraternal Spaces. In: Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City. Art and material culture in medieval and Renaissance Europe, 8 . Brill, Leiden & Boston, pp. 1-18. ISBN 9789004292970. Official URL: http://dx.doi.org/10.1163/9789004339521_002

Ruiz-Gómez, Natasha (2016) Against the grain: Rodin's experiments with paper. In: Ecstasies: Drawings by Auguste Rodin. National Gallery of Denmark [Statens Museum for Kunst], Copenhagen, pp. 171-202. ISBN 9788775511693.

Ruiz-Gómez, Natasha (2017) Shaking the Tyranny of the Cadaver: Doctor Paul Richer and the Living Écorché. In: Bodies Beyond Borders: Moving Anatomies, 1750-1950. Leuven University Press, pp. 231-257. ISBN 978 94 6270 094 9.

Samuels, A (2016) The Future of Psychological Therapy. In: UNSPECIFIED Routledge, xi-xvii. ISBN 9781138886391. Official URL: https://doi.org/10.4324/9781315708294

Tymkiw, M (2015) Den Körper spielerisch erkunden. Die Ausstellung 'Wunder des Lebens' in Berlin 1935 und ihr Nachleben. In: "Erkenne Dich selbst!" Strategien der Sichtbarmachung des Körpers im 20. Jahrhundert. Böhlau, Cologne, pp. 320-342. ISBN 978-3-412-22380-9. Official URL: https://doi.org/10.7788/9783412217693-017

Tymkiw, M (2016) Engaged Spectatorship: On the Relationship between Non-Museum Exhibitions and Museums in National Socialist Germany. In: Museen im Nationalsozialismus: Akteure - Orte - Politik. Böhlau, Cologne, pp. 161-176. ISBN 978-3412224080.

Tymkiw, M (2007) Pictorially Transcribing Music: The Wagner Lithographs of Henri Fantin-Latour and Odilon Redon. In: Looking and Listening in Nineteenth-Century France. University of Chicago Press, Chicago, pp. 50-59. ISBN 9780935573442.

Book

Cox, Neil (2010) The Picasso Book. Tate Publishing, London. ISBN 9781854378439.

Cox, Neil (2009) Picasso's 'Toys for Adults': Cubism as Surrealism, The 2008 Watson Gordon Lecture. National Galleries of Scotland/University of Edinburgh/VARIE, Edinburgh. ISBN 978-1906270261.

Fyrich, W and Grindon, G (2014) Lives of the Orange Men A Biographical History of the Polish Orange Alternative Movement. Autonomedia. ISBN 9781570272691.

Lepine, A and Lodder, M and McKever, R (2015) Revival: Memories, Identities, Utopias. The Courtauld Institute of Art, London. ISBN 978-1-907485-04-6.

Lodder, M (2024) Tattoo: An Art History (Forthcoming). IB Tauris. ISBN 9781780762364. (In Press)

Presciutti, Diana Bullen (2017) Space, Place and Motion, Locating Confraternities in the Late Medieval and Early Modern City. Art and material culture in medieval and Renaissance Europe, 8 . Brill, Leiden & Boston. ISBN 9789004292970. Official URL: https://brill.com/view/title/31697

Presciutti, Diana Bullen (2015) Visual cultures of foundling care in renaissance Italy. Routledge. ISBN 978-1472457653. Official URL: https://www.routledge.com/Visual-Cultures-of-Found...

Rajan, VGJ and Bahun, S (2009) From Word to Canvas: Appropriations of Myth in Women?s Aesthetic Production. Cambridge Scholars, Cambridge. ISBN 9781443805377.

Thesis

Alsudairy, Wadha Sultan (2024) "The chief of the sacred scented flowers": European depictions of henna body art in Islamic cultures. Doctoral thesis, University of Essex.

Atkinson, Victoria (2017) Unravelling the Musical in Art: Matisse, his music and his textiles. PhD thesis, University of Essex.

Bannister, Stephanie Anne (2018) The found object and the presentation of everyday life. Masters thesis, University of Essex.

Barker, Alison (2022) Dissolving the Alps: The Visual Dissemination of Saint George 1400-1550. PhD thesis, University of Essex.

Bilbao Yarto, Ana E (2017) Swimming Upstream: Small Visual Art Organisations (SVAOs) in the Midst of the Ethical Turn, 1990-2016. PhD thesis, University of Essex.

Casey Benyahia, Sarah (2019) Lives in Limbo: Memory, History, and Entrapment in the Temporal Gateway Film. PhD thesis, University of Essex.

Chryssouli, Georgia (2019) The Alchemist of the Surreal and the Uncanny Valley: Jan Švankmajer, the puppet and eerie animation. PhD thesis, University of Essex.

Clarke, Briony (2023) Animate Being: Extending a Practice of the Image to New Mediums via Speculative Game Design. Doctoral thesis, University of Essex.

Collier, Christopher (2017) A Transformative Morphology of the Unique: Situating Psychogeography's 1990s Revival. PhD thesis, University of Essex.

Costa Söderlund, Kalinca (2018) Modernismo and Patronage in Brazil, 1917-1949: the National versus the International. PhD thesis, University of Essex.

Crowley, Michelle (2017) The Extraordinary in the Ordinary. Masters thesis, University of Essex.

Garland, Shelley (2021) “He must look upon it as his child – and a most promising one it is.” Earl de Grey and the creation of his house at Wrest Park. PhD thesis, University of Essex.

Hersov, Mary (2017) The temporary exhibition galleries in the Sainsbury Wing, National Gallery: commission, design and outcome. PhD thesis, University of Essex.

Hodges, C H (2018) "I am a Princess" Foster care, Therapy, Art. Masters thesis, University of Essex.

Humphreys, Samantha (2016) The Visual Representation of Self in the Social Media Era. Masters thesis, University of Essex.

Ismahasan, Biung (2021) Indigenous relational space and performance: curating together towards sovereignty in Taiwan and beyond. PhD thesis, University of Essex.

Lax, Annecy (2022) Conscience and Consciousness: British Theatre and Human Rights. PhD thesis, University of Essex.

Miller, Maxine (2019) Image, perception and the unconscious. Masters thesis, University of Essex.

Morosan, Mihail (2019) Automating Game-design and Game-agent Balancing through Computational Intelligence. PhD thesis, University of Essex.

Musgrove, Paula (2019) Costume as an active component of performance. Masters thesis, University of Essex.

O Dunlaing, Cliona (2021) Facets of the Crystalline: Study of a Motif 1900-2020. PhD thesis, University of Essex.

Rose, Rebecca (2016) The evolution of the private art museum in Mexico. PhD thesis, University of Essex.

Son, Byoungsung (2018) Floristry and fine art — a practical and conceptual investigation. Masters thesis, University of Essex.

Varas Ibarra, Ana C (2020) Overcoming the State of Oblivion: Decolonial Approaches within Engaged Art Practices. PhD thesis, University of Essex.

Waschneck, Katja (2018) Screening OULIPO : From Potential Literature to Potential Film. PhD thesis, University of Essex.

Wetton, Danielle (2018) Do ̶N̶o̶t̶ Enter, Do ̶N̶o̶t̶ Touch. Masters thesis, University of Essex.

Zhu, Xinwei (2017) The Enchanted Image: The Transforming Imagination of Alice’s Adventures in Wonderland Through Material Practice and Media Technology. PhD thesis, University of Essex.

Show/Exhibition

Flood, C and Grindon, G (2014) Disobedient Objects. [Show/Exhibition]

Other

Bailey, M (2015) Changing Tides of Industrial Democracy: Tales from the Shipyard. James Dodds Exhibition Catalogue (Messum's/Studio Publications).

Lepine, A (2015) Anglo-American Modern Gothic: A. W. N. Pugin?s Impact on Ralph Adams Cram. The Pugin Society.

Shambhu, S and Lichtenstein, J (2017) My Inside Playground. Lakeside Theatre, University of Essex.