Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"

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Ades, Dawn (2009) Humphrey Jennings. In: New Aldeburgh Anthology. Boydell Press. ISBN 9781843834397. Official URL: http://repository.essex.ac.uk/2169/

Ades, Dawn (2008) Little things: close-up in photo and film 1839-1963. In: Close-Up - Proximity And De-Familiarisation In Art, Film And Photography. Fruitmarket Gallery. ISBN 9780947912598. Official URL: http://repository.essex.ac.uk/6167/

Ades, Dawn and Baker, Simon (2008) Close-Up - Proximity And De-Familiarisation In Art, Film And Photography. Fruitmarket Gallery. ISBN 9780947912598. Official URL: http://repository.essex.ac.uk/2168/

Akhter, Fahmida (2017) Fragmented Memory, Incomplete History: Women and Nation in War Films of Bangladesh. PhD thesis, University of Essex.

Akhter, Fahmida (2014) Framing Pain as Spectacle: The Aesthetics of Wartime Films of Bangladesh. Bangladesh Film Archive Journal, 7. pp. 35-47.

Akhter, Fahmida (2014) ‘Jibon Thekey Neya' (Glimpses of Life, 1970) : The First Political Film in Pre- Liberation Bangladesh and a Cinematic Metaphor for Nationalist Concerns’. Journal of the Asiatic Society of Bangladesh (Humanities), 59 (2). pp. 291-303.

Akhter, Fahmida (2014) Panning from the Past to the Present: The Climate, Context and Concept of Bangladeshi National Cinema. Shilpakala, XXII. pp. 49-67.

Akhter, Fahmida (2015) The construction of the ‘new Bengali woman’ in Nasiruddin Yousuff’s<i>Guerrilla</i>(2011). South Asian Popular Culture, 13 (3). pp. 199-216. DOI https://doi.org/10.1080/14746689.2016.1210296

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Bahun, S (2011) Croatian Animation, Then and Now: Creating Sparks or Just a Little Bit of Smoke? Kinocultura.

Bahun, S and Haynes, J (2014) Introduction. Questioning and Questing: re-staging state socialist cinema. In: Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 Re-Visions. BASEES/Routledge Series on Russian and East European Studies . Routledge, pp. 1-6. ISBN 9780415813235.

Bahun, S and Haynes, J (2014) Introduction. Questioning and Questing: re-staging state socialist cinema. In: Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 Re-Visions. BASEES/Routledge Series on Russian and East European Studies . Routledge, pp. 1-6. ISBN 9780415813235.

Bahun, Sanja (2012) Croatian Animation, Then and Now: Creating Sparks or Just a Little Bit of Smoke? In: In Contrast: Croatian Film Today. Hrvatski filmski savez, Zagreb, Croatia, pp. 76-88. ISBN 9780857458940.

Bahun, Sanja (2014) The Human and the Possible: Animation in Yugoslavia, Czechoslovakia and the Soviet Union, 1960-1980. In: Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 Re-Visions. BASEES/Routledge Series on Russian and East European Studies . Routledge. ISBN 9780415813235.

Becker, Mona (2019) Flieder, 1945 / Lilac, 2015 : visibility, memory, gender : writing and re-imagining National Socialist atrocity for the stage. PhD thesis, University of Essex.

Blackmore, Lisa (2018) Collective memory and research-led filmmaking: Spatial legacies of dictatorship in the Dominican Republic. Popular Communication, 16 (2). pp. 90-105. DOI https://doi.org/10.1080/15405702.2017.1350686

Boncori, Ilaria (2017) Mission impossible: A reading of the after-death of the heroine. Culture and Organization, 23 (2). pp. 95-109. DOI https://doi.org/10.1080/14759551.2016.1206548

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Carter, Matthew (2013) The Contemporary Western and The Three Burials of Melquiades Estrada. In: Contemporary Westerns Film and Television since 1990. Scarecrow Press. ISBN 9780810892569.

Carter, Matthew (2009) The Dismal Tide: Shoring Up the Fragments in Joel and Ethan Coen's No Country for Old Men. IUP Journal of American Literature, II (3 & 4). pp. 73-89.

Carter, Matthew (2012) “I’m Just a Cowboy”: Transnational Identities of the Borderlands in Tommy Lee Jones’ The Three Burials of Melquiades Estrada. European Journal of American Studies.

Carter, Matthew (2014) Myth of the Western: New Perspectives on Hollywood's Frontier Narrative. Edinburgh University Press. ISBN 9780748685585. Official URL: http://www.euppublishing.com/book/9780748685585

Carter, Matthew (2014) That’ll be the day’: Transnationalism and American National Identity in John Ford’s The Searchers. Trans-Portal: The Hub of Trans-Formation Studies. (In Press)

Chaudhuri, Shohini (2013) Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder. In: Film Analysis: A Norton Reader (Second edition). W W Norton. ISBN 9780393923247. Official URL: http://books.wwnorton.com/books/detail.aspx?ID=429...

Chaudhuri, Shohini (2018) The Alterity of the Image: the Distant Spectator and Films about the Syrian Revolution and War. Transnational Cinemas, 9 (1). p. 46. DOI https://doi.org/10.1080/20403526.2018.1444929

Chaudhuri, Shohini (2014) Cinema of the dark side: Atrocity and the ethics of film spectatorship. Edinburgh University Press, Edinburgh. ISBN 978-1474400428. Official URL: http://doi.org/10.3366/edinburgh/9780748642632.001...

Chaudhuri, Shohini (2016) Color Design in Wong Kar-wai's Cinema. In: A Companion to Wong Kar-wai. Wiley-Blackwell, pp. 153-181. ISBN 978-1-118-42424-7. Official URL: http://dx.doi.org/10.1002/9781118425589.ch6

Chaudhuri, Shohini (2005) Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh University Press, Edinburgh. ISBN 9780748617999.

Chaudhuri, Shohini (2013) Documenting The Dark Side: Torture and The 'War On Terror' in Zero Dark Thirty, Taxi To The Dark Side, and Standard Operating Procedure. Screening the Past, 37.

Chaudhuri, Shohini (2005) Dogma brothers: Lars von Trier and Thomas Vinterberg. In: New Punk Cinema. Edinburgh University Press, Edinburgh, pp. 153-167. ISBN 978-0748620357. Official URL: http://dx.doi.org/10.3366/edinburgh/9780748620340....

Chaudhuri, Shohini (2006) Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Routledge. ISBN 978-0415324328.

Chaudhuri, Shohini (2017) Nine cinematic devices for staging (in)visible war and the (vanishing) colonial present. In: Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh. ISBN 9781474416566. Official URL: https://edinburghuniversitypress.com/book-disappea...

Chaudhuri, Shohini (2009) Snake charmers and child brides: Deepa Mehta's Water, 'exotic' representation, and the cross-cultural spectatorship of South Asian migrant cinema. South Asian Popular Culture, 7 (1). pp. 7-20. DOI https://doi.org/10.1080/14746680802704956

Chaudhuri, Shohini (2011) Unpeople: Postcolonial reflections on terror, torture and detention in Children Of Men. In: Postcolonial Cinema Studies. Routledge, Abingdon, England, pp. 191-204. ISBN 978-0415782289.

Chaudhuri, Shohini (1997) Visit of the Body Snatchers: Alien Invasion Themes in Vampire Narratives. Camera Obscura: Feminism, Culture, and Media Studies, 14 (1-2). pp. 180-198. DOI https://doi.org/10.1215/02705346-14-1-2_40-41-180

Chaudhuri, Shohini (2001) Witnessing Death: Ballard's and Cronenberg's Crash. Strategies: Journal of Theory, Culture & Politics, 14 (1). pp. 63-75. DOI https://doi.org/10.1080/10402130120042361

Chaudhuri, Shohini and Clayton, Sue (2013) Clouds of Unknowing: Buddhism and Bhutanese Cinema. In: Storytelling in World Cinemas: Contexts. Wallflower, London, England, pp. 157-171. ISBN 9780231163361. Official URL: http://dx.doi.org/10.7312/columbia/9780231163378.0...

Chaudhuri, Shohini and Clayton, Sue (2012) Storytelling in Bhutanese cinema: Research context and case study of a film in development. Journal of Screenwriting, 3 (2). pp. 197-214. DOI https://doi.org/10.1386/josc.3.2.197_1

Chaudhuri, Shohini and Finn, Howard (2006) The Open Image: Poetic Realism and the New Iranian Cinema. In: Screening World Cinema: A Screen Reader. Routledge, Abingdon, pp. 163-181. ISBN 9780415384285.

Chaudhuri, Shohini and Finn, Howard (2003) The open image: poetic realism and the New Iranian Cinema. Screen, 44 (1). pp. 38-57. DOI https://doi.org/10.1093/screen/44.1.38

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Geiger, J (1998) 'The Camera and Man': Colonialism, Masculinity, and Documentary Fiction. Third Text, 12 (44). pp. 3-21. DOI https://doi.org/10.1080/09528829808576714

Geiger, J (2011) Documentary: Negotiating the Public Sphere. New Formations: A Journal of Culture, Theory, Politics, 74 (Winter). pp. 144-149. DOI https://doi.org/10.3898/newf.74.rev05.2011

Geiger, J (2007) Facing the Pacific: Polynesia and the U.S. imperial imagination. University of Hawaii Press, Honolulu. ISBN 9780824830663. Official URL: http://www.uhpress.hawaii.edu/p-4702-9780824830663...

Geiger, J (2004) Imagined Islands: White Shadows in the South Seas and Cultural Ambivalence. Cinema Journal, 41 (3). pp. 98-121.

Geiger, J (2013) Making America Global: Cinematicity and the Aerial View. In: Cinematicity in Media History. Edinburgh University Press, Edinburgh, pp. 133-156. ISBN 9780748676118. Official URL: https://edinburghuniversitypress.com/book-cinemati...

Geiger, J (2017) Media Refashioning: From Nollywood to New Nollywood. In: The Routledge Companion to World Cinema. Routledge Media and Cultural Studies Companions . Routledge, London, pp. 59-72. ISBN 9781138918801.

Geiger, J (2013) Nanook of the North (1922): Fiction, Truth, and the Documentary Contract. In: Film Analysis: A Norton Reader (Second edition). W W Norton, New York, pp. 94-114. ISBN 9780393923247. Official URL: https://www.wwnorton.co.uk/books/9780393923247-fil...

Geiger, J (2012) Nollywood Style: Nigerian movies and 'shifting perceptions of worth'. Film International, 10 (6). pp. 58-72. DOI https://doi.org/10.1386/fiin.10.6.58_1

Geiger, J (2001) Re-assessing the Past and Future of Feminist Film Theory. Sexualities, 4 (2). pp. 246-251. DOI https://doi.org/10.1177/136346001004002008

Geiger, J (2000) Sightseeing: 'Voyage au Congo' and Ethnographic Spectacle. In: Andre Gide?s Politics: Rebellion and Ambivalence. Palgrave, New York, pp. 111-130. ISBN 9780333915370.

Geiger, J (2008) Taking Aim: New Documentary and War. Zeitschrift fur Anglistik und Amerikanistik (ZAA), 56 (2). pp. 153-173.

Geiger, J (2005) 'The game behind the game'?: Spatial Politics and Spike Lee's He Got Game. In: Race and Ethnicity in New York City. Research in Urban Sociology . Emerald, New York, pp. 83-105. ISBN 9780762311491.

Geiger, J and Littau, K (2013) Introduction: Cinematicity and comparative media. In: Cinematicity in Media History. Edinburgh University Press, Edinburgh, pp. 1-18. Official URL: https://edinburghuniversitypress.com/book-cinemati...

Geiger, J and Rutsky, RL (2013) Film Analysis: A Norton Reader (Second edition). W W Norton. ISBN 9780393923247.

Geiger, Jeffrey (2020) Intimate Media: New Queer Documentary and the Sensory Turn. Studies in Documentary Film, 14 (3). pp. 177-201. DOI https://doi.org/10.1080/17503280.2019.1632161

Geiger, Jeffrey and Littau, Karin (2009) Guest Editors' Introduction to Comparative Critical Studies (special issue: Cinematicity). Comparative Critical Studies, 6 (3). pp. 287-295. DOI https://doi.org/10.3366/E1744185409000792

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Haynes, J (2009) A Note on Quentin Tarantino's Inglourious Basterds. The Holocaust in History and Memory, 2.

Haynes, J (2013) Pulp Fiction: Miramax, 'Mainstreaming', and the State of 'Independents'. In: Film Analysis: A Norton Reader (Second edition). W W Norton. ISBN 9780393923247.

Haynes, J (2014) Stalinist Cinema and the Search for Audiences: Liubov′ Orlova and the Case for Star Studies. In: Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 Re-Visions. BASEES/Routledge Series on Russian and East European Studies . Routledge, pp. 115-148. ISBN 9780415813235.

Hulme, P (2008) Graham Greene and Cuba: Our man in Havana. New West Indian Guide, 82 (3-4). pp. 185-210.

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Konstantinidou, E (2017) Practicing theory: mnemophrenia – a film-essay on the future of cinema and artificial memories. Journal of Media Practice, 18 (1). pp. 4-13. DOI https://doi.org/10.1080/14682753.2017.1305837

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Littau, K (2013) Arrival of a Train at La Ciotat (1895-1897), Lumiere Brothers. In: Film Analysis: A Norton Reader (Second edition). W W Norton and Company, New York, pp. 18-38. ISBN 9780393923247. Official URL: http://books.wwnorton.com/books/detail.aspx?ID=429...

Littau, K (2012) The Dog and the Phonograph: Possible Futures in the Self-Development of Media. Comparative Critical Studies (e-CCS Online Supplement), 9 (3). pp. 41-56. DOI https://doi.org/10.3366/ccs.2012.0078

Littau, K (2002) Eye-Hunger: Physical Pleasure and Non-Narrative Cinema. In: Crash Cultures: modernity mediation and the material. Intellect Books / University of Chicago Press, Bristol, pp. 35-51. ISBN 1-84150-071-2. Official URL: http://press.uchicago.edu/ucp/books/book/distribut...

Littau, K (2013) Reading in the age of edison: The cinematicity of 'the yellow wall-paper'. In: Cinematicity in Media History. Edinburgh University Press, Edinburgh, pp. 67-87. ISBN 9780748676125. Official URL: https://edinburghuniversitypress.com/book-cinemati...

Littau, K (2016) Translation's Histories and Digital Futures. International Journal of Communication, 10. pp. 907-928.

Littau, K (2011) The ghost is the machine: Media-philosophy and materialism. In: New Takes in Film-Philosophy. Palgrave MacMillan, London, pp. 154-170. ISBN 9780230294851. Official URL: https://www.palgrave.com/gb/book/9780230250284

Littau, K and Geiger, J (2013) Cinematicity in media history. Edinburgh University Press, Edinburgh. ISBN 9780748676125. Official URL: https://edinburghuniversitypress.com/book-cinemati...

Littau, Karin (1999) Adaptation, Teleportation and Mutation from Langelaan's to Cronenberg's The Fly. In: Alien Identities: Exploring Difference in Film and Fiction. Film/Fiction . Pluto/Chicago University Press, London, England/Chicago US, pp. 141-155. ISBN 9780745314051. Official URL: http://press.uchicago.edu/ucp/books/book/distribut...

Littau, Karin (2015) "In the Beginning"... an Intermedial Babel. SubStance: A Review of Theory and Literary Criticism, 44.3 (138). pp. 112-127. DOI https://doi.org/10.3368/ss.44.3.112

Littau, Karin (1995) Refractions of the Feminine: The Monstrous Transformations of Lulu. MLN, 110 (4). pp. 888-912. DOI https://doi.org/10.1353/mln.1995.0075

Littau, Karin (2005) Serial Translation: Angela Carter's New Reading of Pabst's Wedekind's Lulu. Comparative Critical Studies, 2 (1). pp. 45-65. DOI https://doi.org/10.3366/ccs.2005.2.1.45

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Mazzilli, M and Bergen-Aurand, B and Wai-Siam, H (2015) Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Bridge21 Publications, Los Angeles. ISBN 978-1626430105.

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Nakao, Tomyo (2015) The Representation of Japan in British POW films of the 1950s. PhD thesis, University of Essex.

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Pakleppa, R and Röhrig Assunção, Matthias and Mansa, MC (2014) Body Games. Capoeira and Ancestry. [Jogo de Corpo. Capoeira e ancestralidade]. [Video]

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Weaver-Hightower, Rebecca and Hulme, Peter (2014) Postcolonial Film: History, Empire, Resistance. Routledge Advances in Film Studies . Routledge. ISBN 978-0-415-71614-7. Official URL: http://www.routledge.com/books/details/97804157161...