Items where Subject is "P Language and Literature > PN Literature (General) > PN1993 Motion Pictures"

Article

Akhter, Fahmida (2014) Framing Pain as Spectacle: The Aesthetics of Wartime Films of Bangladesh. Bangladesh Film Archive Journal, 7. pp. 35-47.

Akhter, Fahmida (2014) ‘Jibon Thekey Neya' (Glimpses of Life, 1970) : The First Political Film in Pre- Liberation Bangladesh and a Cinematic Metaphor for Nationalist Concerns’. Journal of the Asiatic Society of Bangladesh (Humanities), 59 (2). pp. 291-303.

Akhter, Fahmida (2014) Panning from the Past to the Present: The Climate, Context and Concept of Bangladeshi National Cinema. Shilpakala, XXII. pp. 49-67.

Akhter, Fahmida (2015) The construction of the ‘new Bengali woman’ in Nasiruddin Yousuff’s<i>Guerrilla</i>(2011). South Asian Popular Culture, 13 (3). pp. 199-216. DOI https://doi.org/10.1080/14746689.2016.1210296

Bahun, S (2011) Croatian Animation, Then and Now: Creating Sparks or Just a Little Bit of Smoke? Kinocultura.

Blackmore, Lisa (2018) Collective memory and research-led filmmaking: Spatial legacies of dictatorship in the Dominican Republic. Popular Communication, 16 (2). pp. 90-105. DOI https://doi.org/10.1080/15405702.2017.1350686

Boncori, Ilaria (2017) Mission impossible: A reading of the after-death of the heroine. Culture and Organization, 23 (2). pp. 95-109. DOI https://doi.org/10.1080/14759551.2016.1206548

Carter, Matthew (2009) The Dismal Tide: Shoring Up the Fragments in Joel and Ethan Coen's No Country for Old Men. IUP Journal of American Literature, II (3 & 4). pp. 73-89.

Carter, Matthew (2012) “I’m Just a Cowboy”: Transnational Identities of the Borderlands in Tommy Lee Jones’ The Three Burials of Melquiades Estrada. European Journal of American Studies.

Carter, Matthew (2014) That’ll be the day’: Transnationalism and American National Identity in John Ford’s The Searchers. Trans-Portal: The Hub of Trans-Formation Studies. (In Press)

Chaudhuri, Shohini (2018) The Alterity of the Image: the Distant Spectator and Films about the Syrian Revolution and War. Transnational Cinemas, 9 (1). p. 46. DOI https://doi.org/10.1080/20403526.2018.1444929

Chaudhuri, Shohini (2013) Documenting The Dark Side: Torture and The 'War On Terror' in Zero Dark Thirty, Taxi To The Dark Side, and Standard Operating Procedure. Screening the Past, 37.

Chaudhuri, Shohini (2009) Snake charmers and child brides: Deepa Mehta's Water, 'exotic' representation, and the cross-cultural spectatorship of South Asian migrant cinema. South Asian Popular Culture, 7 (1). pp. 7-20. DOI https://doi.org/10.1080/14746680802704956

Chaudhuri, Shohini (1997) Visit of the Body Snatchers: Alien Invasion Themes in Vampire Narratives. Camera Obscura: Feminism, Culture, and Media Studies, 14 (1-2). pp. 180-198. DOI https://doi.org/10.1215/02705346-14-1-2_40-41-180

Chaudhuri, Shohini (2001) Witnessing Death: Ballard's and Cronenberg's Crash. Strategies: Journal of Theory, Culture & Politics, 14 (1). pp. 63-75. DOI https://doi.org/10.1080/10402130120042361

Chaudhuri, Shohini and Clayton, Sue (2012) Storytelling in Bhutanese cinema: Research context and case study of a film in development. Journal of Screenwriting, 3 (2). pp. 197-214. DOI https://doi.org/10.1386/josc.3.2.197_1

Chaudhuri, Shohini and Finn, Howard (2003) The open image: poetic realism and the New Iranian Cinema. Screen, 44 (1). pp. 38-57. DOI https://doi.org/10.1093/screen/44.1.38

Geiger, J (1998) 'The Camera and Man': Colonialism, Masculinity, and Documentary Fiction. Third Text, 12 (44). pp. 3-21. DOI https://doi.org/10.1080/09528829808576714

Geiger, J (2011) Documentary: Negotiating the Public Sphere. New Formations: A Journal of Culture, Theory, Politics, 74 (Winter). pp. 144-149. DOI https://doi.org/10.3898/newf.74.rev05.2011

Geiger, J (2004) Imagined Islands: White Shadows in the South Seas and Cultural Ambivalence. Cinema Journal, 41 (3). pp. 98-121.

Geiger, J (2012) Nollywood Style: Nigerian movies and 'shifting perceptions of worth'. Film International, 10 (6). pp. 58-72. DOI https://doi.org/10.1386/fiin.10.6.58_1

Geiger, J (2001) Re-assessing the Past and Future of Feminist Film Theory. Sexualities, 4 (2). pp. 246-251. DOI https://doi.org/10.1177/136346001004002008

Geiger, J (2008) Taking Aim: New Documentary and War. Zeitschrift fur Anglistik und Amerikanistik (ZAA), 56 (2). pp. 153-173.

Geiger, Jeffrey (2020) Intimate Media: New Queer Documentary and the Sensory Turn. Studies in Documentary Film, 14 (3). pp. 177-201. DOI https://doi.org/10.1080/17503280.2019.1632161

Geiger, Jeffrey and Littau, Karin (2009) Guest Editors' Introduction to Comparative Critical Studies (special issue: Cinematicity). Comparative Critical Studies, 6 (3). pp. 287-295. DOI https://doi.org/10.3366/E1744185409000792

Haynes, J (2009) A Note on Quentin Tarantino's Inglourious Basterds. The Holocaust in History and Memory, 2.

Hulme, P (2008) Graham Greene and Cuba: Our man in Havana. New West Indian Guide, 82 (3-4). pp. 185-210.

Konstantinidou, E (2017) Practicing theory: mnemophrenia – a film-essay on the future of cinema and artificial memories. Journal of Media Practice, 18 (1). pp. 4-13. DOI https://doi.org/10.1080/14682753.2017.1305837

Littau, K (2012) The Dog and the Phonograph: Possible Futures in the Self-Development of Media. Comparative Critical Studies (e-CCS Online Supplement), 9 (3). pp. 41-56. DOI https://doi.org/10.3366/ccs.2012.0078

Littau, K (2016) Translation's Histories and Digital Futures. International Journal of Communication, 10. pp. 907-928.

Littau, Karin (2015) "In the Beginning"... an Intermedial Babel. SubStance: A Review of Theory and Literary Criticism, 44.3 (138). pp. 112-127. DOI https://doi.org/10.3368/ss.44.3.112

Littau, Karin (1995) Refractions of the Feminine: The Monstrous Transformations of Lulu. MLN, 110 (4). pp. 888-912. DOI https://doi.org/10.1353/mln.1995.0075

Littau, Karin (2005) Serial Translation: Angela Carter's New Reading of Pabst's Wedekind's Lulu. Comparative Critical Studies, 2 (1). pp. 45-65. DOI https://doi.org/10.3366/ccs.2005.2.1.45

Book Section

Ades, Dawn (2009) Humphrey Jennings. In: New Aldeburgh Anthology. Boydell Press. ISBN 9781843834397. Official URL: http://repository.essex.ac.uk/2169/

Ades, Dawn (2008) Little things: close-up in photo and film 1839-1963. In: Close-Up - Proximity And De-Familiarisation In Art, Film And Photography. Fruitmarket Gallery. ISBN 9780947912598. Official URL: http://repository.essex.ac.uk/6167/

Bahun, S and Haynes, J (2014) Introduction. Questioning and Questing: re-staging state socialist cinema. In: Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 Re-Visions. BASEES/Routledge Series on Russian and East European Studies . Routledge, pp. 1-6. ISBN 9780415813235. Official URL: http://dx.doi.org/10.4324/9781315819051

Bahun, S and Haynes, J (2014) Introduction. Questioning and Questing: re-staging state socialist cinema. In: Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 Re-Visions. BASEES/Routledge Series on Russian and East European Studies . Routledge, pp. 1-6. ISBN 9780415813235.

Bahun, Sanja (2012) Croatian Animation, Then and Now: Creating Sparks or Just a Little Bit of Smoke? In: In Contrast: Croatian Film Today. Hrvatski filmski savez, Zagreb, Croatia, pp. 76-88. ISBN 9780857458940.

Bahun, Sanja (2014) The Human and the Possible: Animation in Yugoslavia, Czechoslovakia and the Soviet Union, 1960-1980. In: Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 Re-Visions. BASEES/Routledge Series on Russian and East European Studies . Routledge. ISBN 9780415813235.

Carter, Matthew (2013) The Contemporary Western and The Three Burials of Melquiades Estrada. In: Contemporary Westerns Film and Television since 1990. Scarecrow Press. ISBN 9780810892569.

Chaudhuri, Shohini (2013) Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder. In: Film Analysis: A Norton Reader (Second edition). W W Norton. ISBN 9780393923247. Official URL: http://books.wwnorton.com/books/detail.aspx?ID=429...

Chaudhuri, Shohini (2016) Color Design in Wong Kar-wai's Cinema. In: A Companion to Wong Kar-wai. Wiley-Blackwell, pp. 153-181. ISBN 978-1-118-42424-7. Official URL: http://dx.doi.org/10.1002/9781118425589.ch6

Chaudhuri, Shohini (2005) Dogma brothers: Lars von Trier and Thomas Vinterberg. In: New Punk Cinema. Edinburgh University Press, Edinburgh, pp. 153-167. ISBN 978-0748620357. Official URL: http://dx.doi.org/10.3366/edinburgh/9780748620340....

Chaudhuri, Shohini (2017) Nine cinematic devices for staging (in)visible war and the (vanishing) colonial present. In: Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh. ISBN 9781474416566. Official URL: https://edinburghuniversitypress.com/book-disappea...

Chaudhuri, Shohini (2011) Unpeople: Postcolonial reflections on terror, torture and detention in Children Of Men. In: Postcolonial Cinema Studies. Routledge, Abingdon, England, pp. 191-204. ISBN 978-0415782289. Official URL: http://dx.doi.org/10.4324/9780203181478

Chaudhuri, Shohini and Clayton, Sue (2013) Clouds of Unknowing: Buddhism and Bhutanese Cinema. In: Storytelling in World Cinemas: Contexts. Wallflower, London, England, pp. 157-171. ISBN 9780231163361. Official URL: http://dx.doi.org/10.7312/columbia/9780231163378.0...

Chaudhuri, Shohini and Finn, Howard (2006) The Open Image: Poetic Realism and the New Iranian Cinema. In: Screening World Cinema: A Screen Reader. Routledge, Abingdon, pp. 163-181. ISBN 9780415384285.

Geiger, J (2013) Making America Global: Cinematicity and the Aerial View. In: Cinematicity in Media History. Edinburgh University Press, Edinburgh, pp. 133-156. ISBN 9780748676118. Official URL: https://edinburghuniversitypress.com/book-cinemati...

Geiger, J (2017) Media Refashioning: From Nollywood to New Nollywood. In: The Routledge Companion to World Cinema. Routledge Media and Cultural Studies Companions . Routledge, London, pp. 59-72. ISBN 9781138918801.

Geiger, J (2013) Nanook of the North (1922): Fiction, Truth, and the Documentary Contract. In: Film Analysis: A Norton Reader (Second edition). W W Norton, New York, pp. 94-114. ISBN 9780393923247. Official URL: https://www.wwnorton.co.uk/books/9780393923247-fil...

Geiger, J (2000) Sightseeing: 'Voyage au Congo' and Ethnographic Spectacle. In: Andre Gide?s Politics: Rebellion and Ambivalence. Palgrave, New York, pp. 111-130. ISBN 9780333915370.

Geiger, J (2005) 'The game behind the game'?: Spatial Politics and Spike Lee's He Got Game. In: Race and Ethnicity in New York City. Research in Urban Sociology . Emerald, New York, pp. 83-105. ISBN 9780762311491.

Geiger, J and Littau, K (2013) Introduction: Cinematicity and comparative media. In: Cinematicity in Media History. Edinburgh University Press, Edinburgh, pp. 1-18. Official URL: https://edinburghuniversitypress.com/book-cinemati...

Haynes, J (2013) Pulp Fiction: Miramax, 'Mainstreaming', and the State of 'Independents'. In: Film Analysis: A Norton Reader (Second edition). W W Norton. ISBN 9780393923247.

Haynes, J (2014) Stalinist Cinema and the Search for Audiences: Liubov′ Orlova and the Case for Star Studies. In: Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 Re-Visions. BASEES/Routledge Series on Russian and East European Studies . Routledge, pp. 115-148. ISBN 9780415813235.

Littau, K (2013) Arrival of a Train at La Ciotat (1895-1897), Lumiere Brothers. In: Film Analysis: A Norton Reader (Second edition). W W Norton and Company, New York, pp. 18-38. ISBN 9780393923247. Official URL: http://books.wwnorton.com/books/detail.aspx?ID=429...

Littau, K (2002) Eye-Hunger: Physical Pleasure and Non-Narrative Cinema. In: Crash Cultures: modernity mediation and the material. Intellect Books / University of Chicago Press, Bristol, pp. 35-51. ISBN 1-84150-071-2. Official URL: http://press.uchicago.edu/ucp/books/book/distribut...

Littau, K (2013) Reading in the age of edison: The cinematicity of 'the yellow wall-paper'. In: Cinematicity in Media History. Edinburgh University Press, Edinburgh, pp. 67-87. ISBN 9780748676125. Official URL: https://edinburghuniversitypress.com/book-cinemati...

Littau, K (2011) The ghost is the machine: Media-philosophy and materialism. In: New Takes in Film-Philosophy. Palgrave MacMillan, London, pp. 154-170. ISBN 9780230294851. Official URL: https://www.palgrave.com/gb/book/9780230250284

Littau, Karin (1999) Adaptation, Teleportation and Mutation from Langelaan's to Cronenberg's The Fly. In: Alien Identities: Exploring Difference in Film and Fiction. Film/Fiction . Pluto/Chicago University Press, London, England/Chicago US, pp. 141-155. ISBN 9780745314051. Official URL: http://press.uchicago.edu/ucp/books/book/distribut...

Book

Ades, Dawn and Baker, Simon (2008) Close-Up - Proximity And De-Familiarisation In Art, Film And Photography. Fruitmarket Gallery. ISBN 9780947912598. Official URL: http://repository.essex.ac.uk/2168/

Carter, Matthew (2014) Myth of the Western: New Perspectives on Hollywood's Frontier Narrative. Edinburgh University Press. ISBN 9780748685585. Official URL: http://www.euppublishing.com/book/9780748685585

Chaudhuri, Shohini (2014) Cinema of the dark side: Atrocity and the ethics of film spectatorship. Edinburgh University Press, Edinburgh. ISBN 978-1474400428. Official URL: http://doi.org/10.3366/edinburgh/9780748642632.001...

Chaudhuri, Shohini (2005) Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh University Press, Edinburgh. ISBN 9780748617999.

Chaudhuri, Shohini (2006) Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Routledge. ISBN 978-0415324328. Official URL: http://dx.doi.org/10.4324/9780203357026

Geiger, J (2007) Facing the Pacific: Polynesia and the U.S. imperial imagination. University of Hawaii Press, Honolulu. ISBN 9780824830663. Official URL: http://www.uhpress.hawaii.edu/p-4702-9780824830663...

Geiger, J and Rutsky, RL (2013) Film Analysis: A Norton Reader (Second edition). W W Norton. ISBN 9780393923247.

Littau, K and Geiger, J (2013) Cinematicity in media history. Edinburgh University Press, Edinburgh. ISBN 9780748676125. Official URL: https://edinburghuniversitypress.com/book-cinemati...

Mazzilli, M and Bergen-Aurand, B and Wai-Siam, H (2015) Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. Bridge21 Publications, Los Angeles. ISBN 978-1626430105.

Weaver-Hightower, Rebecca and Hulme, Peter (2014) Postcolonial Film: History, Empire, Resistance. Routledge Advances in Film Studies . Routledge. ISBN 978-0-415-71614-7. Official URL: http://www.routledge.com/books/details/97804157161...

Thesis

Akhter, Fahmida (2017) Fragmented Memory, Incomplete History: Women and Nation in War Films of Bangladesh. PhD thesis, University of Essex.

Becker, Mona (2019) Flieder, 1945 / Lilac, 2015 : visibility, memory, gender : writing and re-imagining National Socialist atrocity for the stage. PhD thesis, University of Essex.

Nakao, Tomyo (2015) The Representation of Japan in British POW films of the 1950s. PhD thesis, University of Essex.

Video

Pakleppa, R and Röhrig Assunção, Matthias and Mansa, MC (2014) Body Games. Capoeira and Ancestry. [Jogo de Corpo. Capoeira e ancestralidade]. [Video]