Carrabine, Eamonn (2018) Reading a “Titian”: Visual Methods and the Limits of Interpretation. Deviant Behavior, 39 (4). pp. 525-538. DOI https://doi.org/10.1080/01639625.2017.1407113
Carrabine, Eamonn (2018) Reading a “Titian”: Visual Methods and the Limits of Interpretation. Deviant Behavior, 39 (4). pp. 525-538. DOI https://doi.org/10.1080/01639625.2017.1407113
Carrabine, Eamonn (2018) Reading a “Titian”: Visual Methods and the Limits of Interpretation. Deviant Behavior, 39 (4). pp. 525-538. DOI https://doi.org/10.1080/01639625.2017.1407113
Abstract
Contemporary criminology is witnessing something of a 'visual turn' and as researchers develop their methods of enquiry it is clear that interdisciplinary scholarship will play a key role in shaping inventive approaches in it. In this article, I discuss some of the different ways art historians have 'read' images and the multiple connections they have forged to understand an artwork, before turning to how these approaches have been mobilized in a single example: Titian's Flaying of Marsyas, which dates from the 1570s, and is among the most disturbing images in the entire history of art.
Item Type: | Article |
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Uncontrolled Keywords: | art; iconography; methods; narrative; semiotics; Titian |
Subjects: | H Social Sciences > HM Sociology N Fine Arts > NX Arts in general |
Divisions: | Faculty of Social Sciences Faculty of Social Sciences > Sociology and Criminology, Department of |
SWORD Depositor: | Unnamed user with email elements@essex.ac.uk |
Depositing User: | Unnamed user with email elements@essex.ac.uk |
Date Deposited: | 15 Feb 2018 11:53 |
Last Modified: | 30 Oct 2024 15:59 |
URI: | http://repository.essex.ac.uk/id/eprint/21471 |
Available files
Filename: Reading a Titian Final.pdf